Federico Fellini cytaty

Federico Fellini – włoski reżyser i scenarzysta filmowy. Znany ze swojego barokowego, cyrkowego, onirycznego stylu. Uznawany za jednego z najbardziej wpływowych i najważniejszych reżyserów w historii kina, czołowy przedstawiciel europejskiego kina autorskiego, nawiązujący do włoskiego neorealizmu kina lat 40. i 50. XX wieku. Autor La strady, Słodkiego życia, Nocy Cabirii, Amarcord oraz Osiem i pół, uważanego za jego magnum opus.

Jego filmy otrzymały cztery Oscary dla najlepszego filmu zagranicznego . W 1993 otrzymał Oscara honorowego za całokształt twórczości. Przez wiele lat współpracował z nim kompozytor Nino Rota. Wikipedia  

✵ 20. Styczeń 1920 – 31. Październik 1993
Federico Fellini Fotografia
Federico Fellini: 49   Cytatów 2   Polubienia

Federico Fellini słynne cytaty

„Siła kobiet leży w tym, że są w stanie uznać złudzenia za rzeczywistość.”

Źródło: Nieprzyjemne prawdy. Aforyzmy naszych czasów, wybór i tłum. Henryk Zdanowski, KAW, 1987, s. 129.

„Cenzura jest to reklama na koszt państwa.”

Źródło: Leksykon złotych myśli, wyboru dokonał Krzysztof Nowak, Warszawa 1998.

Federico Fellini cytaty

„Słodkie życie.”

Dolce vita. (wł.)
tytuł filmu

„Kto powiedział, że ludzie mają być szczęśliwi?”

Źródło: Wielka księga mądrości, wybór Jacek i Tomasz Ilga

Federico Fellini: Cytaty po angielsku

“There is no end. There is no beginning. There is only the infinite passion of life.”

Fellini on Fellini (1976) edited by Anna Keel and Christian Strich; translated by Isabel Quigly.
Wariant: There is no end. There is no beginning. There is only the passion of life.

“I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all.”

"Artistic Freedom"
I'm a Born Liar (2003)
Kontekst: I don't believe in total freedom for the artist. Left on his own, free to do anything he likes, the artist ends up doing nothing at all. If there's one thing that's dangerous for an artist, it's precisely this question of total freedom, waiting for inspiration and the rest of it.

“You have to live spherically - in many directions. Never lose your childish enthusiasm - and things will come your way.”

Wariant: Put yourself into life and never lose your openness, your childish enthusiasm throughout the journey that is life, and things will come your way.

“All art is autobiographical; the pearl is the oyster’s autobiography.”

On the autobiographical nature of his films, in The Atlantic (December 1965)

“Art is all about craftsmanship.”

"Craftsmanship"
I'm a Born Liar (2003)
Kontekst: I discovered that what's really important for a creator isn't what we vaguely define as inspiration or even what it is we want to say, recall, regret, or rebel against. No, what's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.

“Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second and you can hop from one place to another.”

As quoted in Rolling Stone no. 421 (1984)
Kontekst: Talking about dreams is like talking about movies, since the cinema uses the language of dreams; years can pass in a second and you can hop from one place to another. It’s a language made of image. And in the real cinema, every object and every light means something, as in a dream.

“What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one…”

"Every Time We Say Goodbye" in Sight and Sound [London] ( June 1991)
Kontekst: What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one... It’s this in-between that I’m calling a province, this frontier country between the tangible world and the intangible one — which is really the realm of the artist.

“Everyone knows that time is Death, that Death hides in clocks.”

Imposing another time powered by the Clock of the Imagination, however, can refuse his law. Here, freed of the Grim Reaper's scythe, we learn that pain is knowledge and all knowledge pain.
"Death"
I'm a Born Liar (2003)

“If I'm a cruel satirist at least I'm not a hyprocrite: I never judge what other people do.”

"Hypocrisy"
I'm a Born Liar (2003)
Kontekst: If I'm a cruel satirist at least I'm not a hyprocrite: I never judge what other people do. Neither a politician nor a priest, I never censor what others do. Neither a philospher nor a psychiatrist, I never bother trying to analyze or resolve my fears and neuroses.

“Even if I set out to make a film about a fillet of sole, it would be about me.”

On the autobiographical nature of his films, in The Atlantic (December 1965)

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