Michael Haneke idézet

Michael Haneke Arany Pálma és Oscar-díjas osztrák filmrendező. Filmjei a modern társadalom szociális problémáival és hibáival foglalkoznak majdnem a sivárságig visszafogott stílusban. Haneke televízió- színház- és filmrendezéssel is foglalkozott. Filmes munkásságán kívül rendezést tanít a bécsi Filmakadémián.

2009-ben a Fehér szalag , valamint 2012-ben a Szerelem című filmjével is elnyerte a Cannes-i fesztivál fődíját, az Arany Pálmát. Wikipedia  

✵ 23. március 1942
Michael Haneke fénykép
Michael Haneke: 9   idézetek 0   Kedvelés

Michael Haneke: Idézetek angolul

“All of my films constitute a reaction against mainstream cinema. Every serious form of art sees the receiver as a partner in the undertaking. In fact, that's one of the preconditions of humanistic thought. In cinema, this fact, which should be self-evident, has been overlooked and replaced by an emphasis on the commercial aspects of the medium.”

In response to the question, "You're well known for not wanting to impose interpretations on your films. Is this because you believe that audiences have become accustomed to being spoon-fed and told what to think?"
as interviewed by Richard Porton, "Collective Guilt and Individual Responsibility: An Interview with Michael Haneke," Cineaste, Vol. 31, No. 1 (Winter 2005), pp. 50-51

“Today's conventional cinema, or mass cinema, doesn't take the receiver seriously as a partner. It sees the audience member as a bank machine, whose only function is to spit out money.”

as interviewed by Richard Porton, "Collective Guilt and Individual Responsibility: An Interview with Michael Haneke," Cineaste, Vol. 31, No. 1 (Winter 2005), pp. 50-51

“Film is an artificial construct. It pretends to reconstruct reality. But it doesn't do that—it's a manipulative form. It's a lie that can reveal the truth. But if a film isn't a work of art, it's just complicit with the process of manipulation.”

as interviewed by Richard Porton, "Collective Guilt and Individual Responsibility: An Interview with Michael Haneke," Cineaste, Vol. 31, No. 1 (Winter 2005), pp. 50-51

“Consider the pigeon just a pigeon...There are lots of pigeons in Paris.”

On the meaning of pigeons in his movies, "Michael Haneke talks about Amour http://www.afc.at/jart/prj3/afc/main.jart?content-id=1164272180506&artikel_id=1332442011817 16 January 2014 https://web.archive.org/web/20140116073823/http://www.afc.at/jart/prj3/afc/main.jart?content-id=1164272180506&artikel_id=1332442011817,, interview by Karin Schiefer, Austrian Film Commission, May 2012

“Film is 24 lies per second at the service of truth, or at the service of the attempt to find the truth.”

[Ignoramous, Lamos, Watch "24 Realities Per Second" Michael Haneke Documentary, http://filmslie.com/24-realities-per-second-michael-haneke-documentary/, FilmsLie.com, 10 August 2016]

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