“I write only because
There is a voice within me
That will not be still”

—  Sylvia Plath

Source: Letters Home

Last update March 19, 2022. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I write only because There is a voice within me That will not be still" by Sylvia Plath?
Sylvia Plath photo
Sylvia Plath 342
American poet, novelist and short story writer 1932–1963

Related quotes

Mahatma Gandhi photo

“The only tyrant I accept in this world is the "still small voice" within me. And even though I have to face the prospect of being a minority of one, I humbly believe I have the courage to be in such a hopeless minority.”

Mahatma Gandhi book The Essential Gandhi

In Young India (2 March 1922). Quoted in The Essential Gandhi: An Anthology of His Writings on His Life, Work, and Ideas edited by Louis Fischer (2002), p. 160 http://books.google.com/books?id=gz6l-vCVgxQC&lpg=PP1&pg=PA160#v=onepage&q&f=false.
1920s

Vanna Bonta photo

“Evil's last voice croaked to me, "How did you know I was only bluffing?" Because he wept. Because he wept.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Degrees: Thought Capsules and Micro Tales (1989)

Imre Kertész photo

“For me this is a fact, writing is necessity, I don’t know why, but it seems it was the only solution offered to me, even if it doesn’t solve anything; still it doesn't leave me…”

Imre Kertész book Kaddish for an Unborn Child

Kaddish for a Child Not Born (1990)

Susan Choi photo

“The voice tends to come first and then everything else follows. It’s never worked for me to think, here’s a character and they should have this kind of voice, let me try to force that. If I can’t tap into a character’s voice, I can’t really write the character…”

Susan Choi (1969) American novelist

On feeling the voice of a character in “Trust, Serendipity, and Consent: An Interview with Trust Exercise Author Susan Choi” https://www.bookish.com/articles/interview-susan-choi-trust-exercise/ in Bookish (2019 Apr 16)

Joss Whedon photo

“Q: So, why do you write these strong female characters?
A: Because you’re still asking me that question.”

Joss Whedon (1964) American director, writer, and producer for television and film

"American Rhetoric: Joss Whedon - Equality Now Address" (15 May 2006) http://www.americanrhetoric.com/speeches/josswhedonequalitynow.htm

Robert Rauschenberg photo

“I still have a struggle reading [dyslexia] and so I don't read much... Probably the only reason I'm painter is because I couldn't read yet I love to write, but when I write I know what I'm writing, but when I'm reading I can’t see it, because it goes from all sides of the page at once. But that's very good for printmaking.”

Robert Rauschenberg (1925–2008) American artist

Quote from interview: 'Robert Rauschenberg talks...', Maxime de la Falaise McKendry, 6 May 1976, p. 34
1970's

Gloria E. Anzaldúa photo

“Why am I compelling to write? Because te writing saves me from this complacency I fear. Because I have no choice. Because I must keep the spirit of my revolt and myself alive. Because the world I create in the writing compensates for what the real world does not give me. By writing I put order in the world, give it a handle so I can grasp it. I write because life does not appaese my appetites and hunger.”

Gloria E. Anzaldúa (1942–2004) Chicana cultural theory, feminist theory, and queer theory

Speaking in Tongues: A Letter to Third World Women Writers, from This Bridge Called My Back

“I'm not a voice-over actor, I do Sebastian because Sebastian is a part of me, but I can't sit there and make up a voice for you.”

Samuel E. Wright (1946) American actor

“What More Is You Looking For?” Meet Samuel E. Wright, The Voice Of Sebastian On “The Little Mermaid” http://madamenoire.com/311323/looking-meet-samuel-e-wright-voice-sebastian-little-mermaid/ (October 10, 2013)

Ernest J. Gaines photo

“In dialogue, I’m dealing with the sounds I’ve heard. One of the reasons I often write from first person or multiple points of view is to hear the voices of different characters. Omniscient narration becomes a problem because, for me, the omniscient is my own voice narrating the story and then bringing in characters for dialogue.”

Ernest J. Gaines (1933–2019) Novelist, short story writer, teacher

On how he handled dialogue in his works in “An Interview with Ernest J. Gaines” https://www.missourireview.com/article/an-interview-with-ernest-j-gaines/ in The Missouri Review (1999 Dec 1)

Orhan Pamuk photo

“The question we writers are asked most often, the favorite question, is: Why do you write? I write because I have an innate need to write. I write because I can’t do normal work as other people do. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it. I write because I want others, the whole world, to know what sort of life we lived, and continue to live, in Istanbul, in Turkey. I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all life’s beauties and riches into words. I write not to tell a story but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but—as in a dream—can’t quite get to. I write because I have never managed to be happy. I write to be happy.”

Orhan Pamuk (1952) Turkish novelist, screenwriter, and Nobel Prize in Literature recipient

" My Father's Suitcase", Nobel Prize for Literature lecture http://nobelprize.org/nobel_prizes/literature/laureates/2006/pamuk-lecture_en.html (December 7, 2006).

Related topics