“I will be more and more concerned with giving you sound and true political ideas, few people are better able to do this than I; since the age of 16 I have been involved in the big affairs of Europe.”
A royal puppet show in the Belgian royal family. The education of the first Belgian royal children. (Greet Donckers) http://www.ethesis.net/koningshuis/koningshuis_deel_II.htm#Hoofdstuk_2:_Publieke_sfeer%C2%A0_ AKP, Fund Leopold I, III Archives Conway, Letter from King Leopold I to Prince Leopold, 11 November 1850, 20/3.
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Leopold I of Belgium 7
German prince who became the first King of the Belgians 1790–1865Related quotes
Martha Southgate (April 25, 1991) "Matt Dillon grows up and doesn't balk at talk", The Toronto Star, p. C8.
Cited (earlier) in: American Women Composers (1979) AWC news. Volumes 2-3. p. 41
Beauty is Revolution (1980)
Source: Imagined London: A Tour of the World's Greatest Fictional City
Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985)
Context: In the Middle Ages, there was a scarcity of information but its very scarcity made it both important and usable. This began to change, as everyone knows, in the late 15th century when a goldsmith named Gutenberg, from Mainz, converted an old wine press into a printing machine, and in so doing, created what we now call an information explosion.... Nothing could be more misleading than the idea that computer technology introduced the age of information. The printing press began that age, and we have not been free of it since.
Book III, Ch. 9, sec. 4
An Essay Concerning Human Understanding (1689)
Exclusive interview with Mike Lee: Why I want to join Senate leadership http://www.washingtonexaminer.com/exclusive-interview-with-mike-lee-why-i-want-to-join-senate-leadership/article/2588278 (April 12, 2016)
Fellini, je crois que, dans ma vie, j'ai été plus Casanova que vous! J'ai fait le calcul, il ya un an ou deux. J’ai eu dix mille femmes depuis l’âge de treize ans et demi. Ce n’ést pas du tout un vice. Je n’ai aucun vice sexuel, mais j’avais besoin de communiquer.
Interviewed by Federico Fellini in L'Express, February 21, 1977, and cited from Daniel Golay et al. Simenon, un autre regard (Lausanne: L'Hebdo, 1988) p. 104; translation from Fenton Bresler The Mystery of Georges Simenon (London: Heinemann, 1983) p. 239.
Source: Howards End (1910), Ch. 11
Context: He remembered his wife's even goodness during thirty years. Not anything in detail — not courtship or early raptures —but just the unvarying virtue, that seemed to him a woman's noblest quality. So many women are capricious, breaking into odd flaws of passion or frivolity. Not so his wife. Year after year, summer and winter, as bride and mother, she had been the same, he had always trusted her. Her tenderness! Her innocence! The wonderful innocence that was hers by the gift of God. Ruth knew no more of worldly wickedness and wisdom than did the flowers in her garden, or the grass in her field. Her idea of business — "Henry, why do people who have enough money try to get more money?" Her idea of politics — "I am sure that if the mothers of various nations could meet, there would be no more wars," Her idea of religion — ah, this had been a cloud, but a cloud that passed. She came of Quaker stock, and he and his family, formerly Dissenters, were now members of the Church of England. The rector's sermons had at first repelled her, and she had expressed a desire for "a more inward light," adding, "not so much for myself as for baby" (Charles). Inward light must have been granted, for he heard no complaints in later years. They brought up their three children without dispute. They had never disputed.
She lay under the earth now. She had gone, and as if to make her going the more bitter, had gone with a touch of mystery that was all unlike her.