Source: Intercourse (1987), Chapter 7
Context: But the hatred of women is a source of sexual pleasure for men in its own right. Intercourse appears to be the expression of that contempt in pure form, in the form of a sexed hierarchy; it requires no passion or heart because it is power without invention articulating the arrogance of those who do the fucking. Intercourse is the pure, sterile, formal expression of men's contempt for women; but that contempt can turn gothic and express itself in many sexual and sadistic practices that eschew intercourse per se. Any violation of a woman's body can become sex for men; this is the essential truth of pornography.
“A woman has a body that is penetrated in intercourse: permeable, its corporeal solidness a lie. The discourse of male truth—literature, science, philosophy, pornography—calls that penetration violation.”
This it does with some consistency and some confidence. Violation is a synonym for intercourse. At the same time, the penetration is taken to be a use, not an abuse; a normal use; it is appropriate to enter her, to push into ("violate") the boundaries of her body. She is human, of course, but by a standard that does not include physical privacy.
Source: Intercourse (1987), Chapter 7
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Andrea Dworkin 84
Feminist writer 1946–2005Related quotes

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 35

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 257

La fidelidad (lo que así se llama para referirse a la constancia y exclusividad con que un determinado sexo penetra o es penetrado por otro igualmente determinado, o se abstiene de ser penetrado o penetrar en otros) es producto de la costumbre principalmente, como lo es también la llamada—contrariamente— infidelidad (la inconstancia y alternación y el abarcamiento de más de un sexo).
Source: Todas las Almas [All Souls] (1989), p. 122

As quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 64.
1910, Manifesto of Futurist Painters,' April 1910
Os Brâmanes (1866). p. 107
Os Brâmanes (1866)

Waiting on God (1950), Reflections on the Right Use of School Studies with a View to the Love of God
Context: Above all our thought should be empty, waiting, not seeking anything, but ready to receive in its naked truth the object that is to penetrate it.
All wrong translations, all absurdities in geometry problems, all clumsiness of style, and all faulty connection of ideas in compositions and essays, all such things are due to the fact that thought has seized upon some idea too hastily, and being thus prematurely blocked, is not open to the truth.
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 140.
“In order to be effective truth must penetrate like an arrow — and that is likely to hurt.”
Posthumous Pieces (1968)