John Kricfalusi (1955) Canadian animator
Daniel Robert Epstein (Oct 12, 2004), " John Kricfalusi, interview http://suicidegirls.com/interviews/John%20Kricfalusi/", SuicideGirls, retrieved 2011-03-01
Segment 70
Peoples Archive interview
Context: I think it's very important to have both cartoons and more realistic structures. The cartoons have the power of representing the essential very often, but have this intrinsic weakness of being in a certain sense predictable. Once you look at the Sierpinski triangle for a very long time you see more consequences of the construction, but they are rather short consequences, they don't require a very long sequence of thinking. In a certain sense, the most surprising, the richest sciences are those in which we start from simple rules and then go on to very, very long trains of consequences and very long trains of consequences, which you are still predicting correctly.
John Kricfalusi (1955) Canadian animator
Daniel Robert Epstein (Oct 12, 2004), " John Kricfalusi, interview http://suicidegirls.com/interviews/John%20Kricfalusi/", SuicideGirls, retrieved 2011-03-01
“Puppets have the same sort of graceful aging that cartoon characters have.”
Jim Henson (1936–1990) American puppeteer
Interview with Associated Press (1986)
A. J. Liebling (1904–1963) American journalist
Just Enough Liebling: Classic Work by the Legendary New Yorker Writer, p. 23.
“I want a shot at redemption
Don’t want to end up a cartoon
In a cartoon graveyard.”
Paul Simon (1941) American musician, songwriter and producer
You Can Call Me Al
Song lyrics, Graceland (1986)
Context: A man walks down the street
He says why am I soft in the middle now
Why am I soft in the middle
The rest of my life is so hard
I need a photo opportunity
I want a shot at redemption
Don’t want to end up a cartoon
In a cartoon graveyard.