
What is to be Done? (1902)
Zamyatin here references a statement in Latin created by the poet Vyacheslav Ivanov: a realibus ad realiora ["from the real to the more real" or “from reality toward a higher reality"]
On Literature, Revolution, Entropy and Other Matters (1923)
Context: Science and art both project the world along certain coordinates. Differences in form are due only to differences in the coordinates. All realistic forms are projections along the fixed, plane coordinates of Euclid's world. These coordinates do not exist in nature. Nor does the finite, fixed world; this world is a convention, an abstraction, an unreality. And therefore Realism — be it "socialist" or "bourgeois" — is unreal. Far closer to reality is projection along speeding, curved surfaces — as in the new mathematics and the new art. Realism that is not primitive, not realia but realiora, consists in displacement, distortion, curvature, non-objectivity. Only the camera lens is objective.
What is to be Done? (1902)
Source: The Third Reich: A New History (2000), p. 134
Source: Russia Under The Bolshevik Regime (1994), p. 260
Tactics and Strategy of the Latin American Revolution (1962)
Source: The Russian Revolution (1918), Chapter Five, "The Question of Suffrage"
"Resolution on Party Unity" (May, 1921)
1920s
No Compromise – No Political Trading (1899)
Source: The Ideology of Fascism: The Rationale of Totalitarianism, (1969), p. 293