“There are three principal means of acquiring knowledge available to us: observation of nature, reflection, and experimentation.”

No. 15
On the Interpretation of Nature (1753)
Context: There are three principal means of acquiring knowledge available to us: observation of nature, reflection, and experimentation. Observation collects facts; reflection combines them; experimentation verifies the result of that combination. Our observation of nature must be diligent, our reflection profound, and our experiments exact. We rarely see these three means combined; and for this reason, creative geniuses are not common.

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Denis Diderot 106
French Enlightenment philosopher and encyclopædist 1713–1784

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“Our observation of nature must be diligent, our reflection profound, and our experiments exact. We rarely see these three means combined; and for this reason, creative geniuses are not common.”

Denis Diderot (1713–1784) French Enlightenment philosopher and encyclopædist

No. 15
On the Interpretation of Nature (1753)
Context: There are three principal means of acquiring knowledge available to us: observation of nature, reflection, and experimentation. Observation collects facts; reflection combines them; experimentation verifies the result of that combination. Our observation of nature must be diligent, our reflection profound, and our experiments exact. We rarely see these three means combined; and for this reason, creative geniuses are not common.

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“The experimental universal is acquired by us,”

Robert Grosseteste (1175–1253) English bishop and philosopher

i. 14, ff. 13<sup>vb</sup>-14<sup>rb</sup>.
Commentarius in Posteriorum Analyticorum Libros (c. 1217-1220)
Context: The experimental universal is acquired by us, whose mind's eye is not purely spiritual, only through the help of the senses. For when the senses several times observe two singular occurrences, of which one is the cause of the other or is related to it in some other way, and they do not see the connection between them... And from this perception repeated again and again and stored in memory, and from the sensory knowledge from which the perception is built up, the functioning of the reasoning begins. The functioning reason therefore begins to wonder and to consider whether things really are as the sensible recollection says, and these two lead the reason to experiment... But when he has administered many times with the sure exclusion of all other things [that could be mistaken for the cause]... then there is formed in the reason this universal... and this is the way in which it comes from sensation to a universal experimental principle.

“To acquire knowledge, one must study; but to acquire wisdom, one must observe.”

Marilyn vos Savant (1946) US American magazine columnist, author and lecturer

As quoted in Courage: the heart and spirit of every woman : reclaiming the forgotten virtue (2001) by Sandra Ford Walston

Georg Christoph Lichtenberg photo

“What is called an acute knowledge of human nature is mostly nothing but the observer's own weaknesses reflected back from others.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

G 7
Aphorisms (1765-1799), Notebook G (1779-1783)

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Leonardo Da Vinci photo

“The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the infinite works of nature; and the ear is the second, which acquires dignity by hearing of the things the eye has seen.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
Context: The eye, which is called the window of the soul, is the principal means by which the central sense can most completely and abundantly appreciate the infinite works of nature; and the ear is the second, which acquires dignity by hearing of the things the eye has seen. If you, historians, or poets, or mathematicians had not seen things with your eyes you could not report of them in writing. And if you, O poet, tell a story with your pen, the painter with his brush can tell it more easily, with simpler completeness and less tedious to be understood. And if you call painting dumb poetry, the painter may call poetry blind painting. Now which is the worse defect? to be blind or dumb? Though the poet is as free as the painter in the invention of his fictions they are not so satisfactory to men as paintings; for, though poetry is able to describe forms, actions and places in words, the painter deals with the actual similitude of the forms, in order to represent them. Now tell me which is the nearer to the actual man: the name of man or the image of the man. The name of man differs in different countries, but his form is never changed but by death.

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