
Advising the origination of an annual fund from surplus revenue.
1800s, Second Inaugural Address (1805)
Letter to John Taylor (28 May 1816) ME 15:18: The Writings of Thomas Jefferson "Memorial Edition" (20 Vols., 1903-04) edited by Andrew A. Lipscomb and Albert Ellery Bergh, Vol. 15, p. 18
1810s
Context: The system of banking we have both equally and ever reprobated. I contemplate it as a blot left in all our Constitutions, which, if not covered, will end in their destruction, which is already hit by the gamblers in corruption, and is sweeping away in its progress the fortunes and morals of our citizens. Funding I consider as limited, rightfully, to a redemption of the debt within the lives of a majority of the generation contracting it; every generation coming equally, by the laws of the Creator of the world, to the free possession of the earth he made for their subsistence, unincumbered by their predecessors, who, like them, were but tenants for life.
Advising the origination of an annual fund from surplus revenue.
1800s, Second Inaugural Address (1805)
Letter http://etext.virginia.edu/jefferson/quotations/jeff1340.htm to James Madison (6 September 1789) ME 7:455, Papers 15:393
1780s
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)
“He who wants Lent to seem short, should contract a debt to be repaid at Easter.”
Candelaio, Act IV, Scene XVII. — (Lucia.)
Translation reported in Harbottle’s Dictionary of quotations French and Italian (1904), p. 275
“Live and act within the limit of your knowledge and keep expanding it to the limit of your life.”
Source: Atlas Shrugged
Source: "The Failure of Business Leadership and the Responsibility of the Universities", 1933, p. 423; as cited in: Wallace Donham http://www.eoht.info/page/Wallace+Donham at Hmolpedia, 2015
Source: Economic Control of Quality of Manufactured Product,1931, p. 24
Quotes from NatalieMerchant.com
Context: After spending nearly 20 years contracted to a major label, I have mixed feelings about their demise. These companies have profited immensely from your insatiable desire for listening and helped musicians for several decades to reach you. They grew fat and excessive. They exploited and they monopolized. They edited and censured. They’ve been rapidly losing their means of production, distribution and promotion to the internet. They have been economizing by dropping artists, cutting staff and folding into one another but they can’t keep up with the pace of disintegration. You might not have ever heard my name if Elektra Records hadn’t made me one of their artists for hire. I’m both grateful and resentful and you probably are too.