
The River of Dreams.
Song lyrics, River of Dreams (1993)
Source: I Am Legend (1954), Ch. 3
Context: Something black and of the night had come crawling out of the Middle Ages. Something with no framework or credulity, something that had been consigned, fact and figure, to the pages of imaginative literature. Vampires were passé; Summers’ idylls or Stoker’s melodramatics or a brief inclusion in the Britannica or grist for the pulp writer’s mill or raw material for the B-film factories. A tenuous legend passed from century to century.
Well, it was true.
The River of Dreams.
Song lyrics, River of Dreams (1993)
“Gone had come to mean something different, in a way that is hadn’t used to. Something permanent.”
Source: It's Not Summer Without You
Source: Waking Hours: Book 1 in East Salem Trilogy with Pete Nelson (Thomas Nelson), pp. 24, 26
The Devil and Daniel Webster (1937)
Context: He started off in a low voice, though you could hear every word. They say he could call on the harps of the blessed when he chose. And this was just as simple and easy as a man could talk. But he didn't start out by condemning or reviling. He was talking about the things that make a country a country, and a man a man.
And he began with the simple things that everybody's known and felt — the freshness of a fine morning when you're young, and the taste of food when you're hungry, and the new day that's every day when you're a child. He took them up and he turned them in his hands. They were good things for any man. But without freedom, they sickened. And when he talked of those enslaved, and the sorrows of slavery, his voice got like a big bell. He talked of the early days of America and the men who had made those days. It wasn't a spread-eagle speech, but he made you see it. He admitted all the wrong that had ever been done. But he showed how, out of the wrong and the right, the suffering and the starvations, something new had come. And everybody had played a part in it, even the traitors.
Context: I like digging into these characters that are a lot more complex, and there's a lot that isn't apparent on the surface … In a weird way, you can access all that fear and pain. … Nothing makes me happier than when somebody figures out I was in something, and then they'd seen me in something else, and had no idea it was the same person… Then I feel like I've done my job. … I've always loved finding characters that are not always the most likable ones when you first meet them, and finding a way to make them people that viewers will identify with, even against their better judgment.
As quoted in "Why Now Is a Divine Time for Alicia Witt", by Sarah Beauchamp at Huffington Post (30 May 2014) http://www.huffingtonpost.com/sarah-beauchamp/why-alicia-witt-should-be_b_5400673.html