
Life-Music, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Source: LSD : My Problem Child (1980), Ch. 1 : How LSD Originated
Context: Slowly I came back from a weird, unfamiliar world to reassuring everyday reality. The horror softened and gave way to a feeling of good fortune and gratitude, the more normal perceptions and thoughts returned, and I became more confident that the danger of insanity was conclusively past.
Now, little by little I could begin to enjoy the unprecedented colors and plays of shapes that persisted behind my closed eyes. Kaleidoscopic, fantastic images surged in on me, alternating, variegated, opening and then closing themselves in circles and spirals, exploding in colored fountains, rearranging and hybridizing themselves in constant flux. It was particularly remarkable how every acoustic perception, such as the sound of a door handle or a passing automobile, became transformed into optical perceptions. Every sound generated a vividly changing image, with its own consistent form and color.
Life-Music, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
“Value perception dominates color perception.”
Source: Semiology of graphics (1967/83), p. 87
Quote c. 1915 in 'Cubofuturism', Malevich, in his Essays on Art, op. cit., vol 2; as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 59
1910 - 1920
11 Nov 1888.
Private Journal - A collage of notes and images, sketches kept 1888-1895 & 1907 to 1940
The way we use these sources is the key in order to define the required musical result. Without neglecting the acoustic conventional instruments, I spend a fair amount of time dealing with the electronic sources of sound. But please do not think computers! Computers are extremely helpful and amazing for a multitude of scientific areas, but for me, when it comes to creation, they are insufficient and slow. Therefore all of my efforts are to stay away from that beast".
2012
Quoted in: Abstract Art, Anna Moszynska, Thames and Hudson 1990, p. 147
Quote c. 1949, when Albers started his 'Homage to the Square' series of paintings
“Music is the arithmetic of sounds as optics is the geometry of light.”
As quoted in Greatness : Who Makes History and Why by Dean Keith Simonton, p. 110
1952, quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812
1950s