
if then
Daily Telegram #1538, The First Good News of the 1928 Campaign! Mr. Rogers Says He Will Not Run For Anything (28 June 1931) <ref name=telegram3>
Daily telegrams
"Forward to an Exhibit: II" (1945)
Context: Your poems are rather hard to understand, whereas your paintings are so easy.
Easy?
Of course—you paint flowers and girls and sunsets; things that everybody understands.
I never met him.
Who?
Everybody.
Did you ever hear of nonrepresentational painting?
I am.
Pardon me?
I am a painter, and painting is nonrepresentational.
Not all painting.
No: housepainting is representational.
And what does a housepainter represent?
Ten dollars an hour.
In other words, you don’t want to be serious—
It takes two to be serious.
if then
Daily Telegram #1538, The First Good News of the 1928 Campaign! Mr. Rogers Says He Will Not Run For Anything (28 June 1931) <ref name=telegram3>
Daily telegrams
“In New Bethel, we take the word serious. We whip whores, we hang thieves, and we burn sorcerers.”
Source: The Native Star (2010), Chapter 11, “The Wages of Sin” (p. 155)
“Serious occupation is labor that has reference to some want.”
Pt. I, sec. 2, ch. 1
Lectures on the Philosophy of History (1832), Volume 1
A Supposedly Fun Thing I'll Never Do Again
Essays
Context: I felt despair. The word’s overused and banalified now, despair, but it’s a serious word, and I’m using it seriously. For me it denotes a simple admixture — a weird yearning for death combined with a crushing sense of my own smallness and futility that presents as a fear of death. It’s maybe close to what people call dread or angst. But it’s not these things, quite. It’s more like wanting to die in order to escape the unbearable feeling of becoming aware that I’m small and weak and selfish and going without any doubt at all to die. It’s wanting to jump overboard.
“If it's not going to be that serious, I don't want to do it. It's a personal taste.”
GQ Interview (2005)
Context: If it's not going to be that serious, I don't want to do it. It's a personal taste. I don't like watching an actor have the same fucking hairdo from time period to time period, from character to character— I just think it's bullshit. It's a waste of money and a waste of my time as an audience member.
Mīrābāī, in “Christian Mysticism East and West: What the Masters Teach Us “, p. 122
Interview to the Wall Street Journal, November 19, 2008. http://www.youtube.com/watch?v=_mzcbXi1Tkk About the quote: Emanuel was not the first to express this idea, as pointed out in a 2009 New York Times Magazine article https://www.nytimes.com/2009/08/02/magazine/02FOB-onlanguage-t.html. However this statement - which proposed a way the Obama administration could actually harness the chaos of the Financial Crisis of 2008 - became a frequently-repeated slogan https://www.forbes.com/2008/11/24/global-crisis-management-lead-management-cx_snj_1124joni.html#1ac549f65e5e for many economists, policy makers and business people who sought to improve the world's financial and economic systems.
/ 2000s
Source: The Tales of Alvin Maker, The Crystal City (2003), Chapter 5 “Crystal Ball” (p. 98).