Kenneth Noland (1924–2010) American artist
Source: Color, Format and Abstract Art' (1977), pp. 99 – 105
Source: Aesthetics and Hermeneutics (1964), p. 101 http://books.google.com/books?id=7RP-TggufEEC&pg=PA101 (quotation is from Goethe) <br class="br">Context: The work of art that says something confronts us itself. That is, it expresses something in such a way that what is said is like a discovery, a disclosure of something previously concealed. The element of surprise is based on this. "So true, so filled with being" [So wahr, so seiend] is not something one knows any other way. Everything familiar is eclipsed. To understand what the work of art says to us is therefore a self-encounter.
Kenneth Noland (1924–2010) American artist
Source: Color, Format and Abstract Art' (1977), pp. 99 – 105
Wilhelm Lehmbruck (1881–1919) German sculptor
As quoted in The Art of Wilhelm Lehmbruck (1972) by Reinhold Heller
“Express thyself! Say something loudly! Aaaaaaah!
What's in that room, Sonny?”
Song lyrics, Prayers on Fire (1981), King Ink
Jasper Johns (1930) American artist
Quote from: Jasper Johns in Tokyo, Yoshiaki Tono, Tokyo August 1964, as cited in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 101
1960s
Michael Roberts (writer) (1902–1948) English schoolteacher and man of letters
Hulme and Modrern Poetry' in ' T E Hulme ',Carcanet Press,Manchester, 1982
T.S. Eliot book Tradition and the Individual Talent
Tradition and the Individual Talent (1919)
Context: What happens when a new work of art is created, is something that happens simultaneously to all the works of art which preceded it. The existing monuments form an ideal order among themselves, which is modified by the introduction of the new (the really new) work of art among them. The existing order is complete before the new work arrives; for order to persist after the supervention of novelty, the whole existing order must be, if ever so slightly, altered; and so the relations, proportions, values of each work of art toward the whole are readjusted; and this is conformity between the old and the new.
Kurt Schwitters (1887–1948) German artist
1910s
Source: 'Merz Painting' (1919); as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, NAI Publishers, Rotterdam 2000, p. 91.