“It seems to me that the modern painter cannot express his age, the airplane the atom bomb, the radio, in the old forms of Renaissance or of any past culture. Each age finds its own technique…”

Source: 1950's, Interview by William Wright, Summer 1950, p. 17

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Jackson Pollock33

American artist 1912–1956

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“Modern art to me is nothing more than the expression of contemporary aims of the age we're living in... All cultures have had means and techniques of expressing their immediate aims – the Chinese, the Renaissance, all cultures. The thing that interests me is that today painters do not have to go to a subject matter outside of themselves. Most modern painters work from a different source, they work from within.”

Jackson Pollock (1912–1956) American artist

Source: 1950's, Interview by William Wright, Summer 1950, p. 140

“The Middle Ages burned its heretics and the modern age threatens them with atom bombs.”

Harold Innis (1894–1952) Canadian professor of political economy

Industrialism and Cultural Values p. 139.
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“Each age finds its own technique... I mean, the strangeness will wear off and I think we will discover the deeper meanings in modern art.”

Jackson Pollock (1912–1956) American artist

As quoted in Francis V. O'Connor (1967) Jackson Pollock, p. 79
in posthumous publications

“The belief that science destroys culture is sometimes supported by historical statements that the arts have flourished only when the sciences have been neglected. This thesis is… directly contrary to history… [I]n the great age of Greece, art and science penetrate one another more closely than in any modern age. …The example of these men in science as much as in art set the modern world afire in the Renaissance. And the type and symbol of Renaissance man… remains Leonardo da Vinci, painter, sculptor, mathematician, and engineer. No man has shown more strikingly the universality and the unity of the intellect.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

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“The bomb reveals the dreadful and total contingency of human existence. Existentialism is the philosophy of the atomic age.”

William Barrett (philosopher) book Irrational Man: A Study in Existential Philosophy

Source: Irrational Man: A Study in Existential Philosophy (1958), Chapter Three, The Testimony Of Modern Art, p. 57

“The modern artist is living in a mechanical age and we have a mechanical means of representing objects in nature such as the camera and photograph. The modern artist, it seems to me, is working and expressing an inner world – in other words – expressing the energy, the motion and the other inner forces.... the modern artist is working with space and time, and expressing his feelings rather than illustrating.”

Jackson Pollock (1912–1956) American artist

Source: 1950's, Interview by William Wright, Summer 1950, pp. 139-140

“The modern age did not so much invent new forms of migration as alter drastically the means and conditions of the old forms”

Eugene M. Kulischer (1881–1956) American sociologist

Variant: The modern age did not so much invent new forms of migration as alter drastically the means and conditions of the old forms <br class="br">Source: Europe on the Move: War and Population Changes, 1917-1947, 1948, p. 96 as cited in: Sarah Collinson (1999) Globalisation and the dynamics of international migration implications for the refugee regime http://www.unhcr.org/refworld/pdfid/4ff59b852.pdf. May 1999. p. 1

“Every intelligent modern painter carries the whole culture of modern painting in his head.”

Robert Motherwell (1915–1991) American artist

Abstract Expressionism, David Anfam, Thames and Hudson Ltd London, 1990, p. 22
1950s

“Each spiritual age expresses its special character in a form which corresponds exactly to its character. Each age in this way characterizes its true 'physiognomy', full of expression and strength. Thus in all spiritual areas 'yesterday' is transformed into 'today'. But apart from this, art possesses a further quality which it alone possesses: that quality which enables one to divine the 'tomorrow' today – a strength which is both creative and prophetic.”

Wassily Kandinsky (1866–1944) Russian painter

Kandinsky's last theoretical statement (Paris, 1942); in Kandinsky, Frank Whitford, Paul Hamlyn Ltd, London 1967, p. 38
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“Violence is the daimonic gone awry. It is "demon possession" in its starkest form. Our age is one of transition, in which the normal channels for utilizing the daimonic are denied; and such ages tend to be times when the daimonic is expressed in its most destructive form.”

Rollo May book Love and Will

Source: Love and Will (1969), Ch. 5, p. 130

“It seems to me that the modern painter cannot express his age, the airplane the atom bomb, the radio, in the old forms of Renaissance or of any past culture. Each age finds its own technique…”

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Jackson Pollock33

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