“…the famous assertion by Einstein that the length of a rod depends on its velocity and on the chosen definition of simultaneity. …is based on the fact that we do not measure the length of the rod, but its projection on a system at rest. How the length of the projection depends on the choice of simultaneity can be illustrated by reference to a photograph taken through a focal-plane shutter. Such a shutter… consists of a wide band with a horizontal slit, which slides down vertically. Different bands are photographed successively on the film. Moving objects are therefore strangely distorted; the wheels of a rapidly moving car for instance, appear to be slanted. The shape of the objects in the picture will evidently depend on the speed of the shutter. Similarly, the length of the moving segment depends on the definition of simultaneity. One definition of simultaneity differs from another because events that are simultaneous for one definition occur successively for another. What may be a simultaneity projection of a moving segment for one definition is a "focal-plane shutter photograph" for another.”
The Philosophy of Space and Time (1928, tr. 1957)
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Hans Reichenbach 41
American philosopher 1891–1953Related quotes

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Fisher's notes in the front cover of his own copy of A Short Treatise on Electricity and the Management of Electric Torpedoes (1868)
Fisher of Kilverstone (1973), Ruddock F. Mackay, Clarendon Press, p. 48.

“Depth of friendship does not depend on length of acquaintance”

Duchamp's stated premise for his art-work: '3 Standard stoppages' he made during 1913 -1914; ; as quoted in Looking at Dada, eds. Sarah Ganz Blythe & Edward D. Powers - The Museum of Modern Art New York, ISBN: 087070-705-1; p. 50
1915 - 1925
As quoted in The Reader's Digest (1992) Vol. 140, p. 194

Source: The Literary Character, Illustrated by the History of Men of Genius (1795–1822), Ch. III.

p, 125
Geometrical Lectures (1735)

p, 125
The Structure of the Universe: An Introduction to Cosmology (1949)