“Everything is in decline the moment you stop giving the artist freedom. That goes for everywhere, but it is happening in America right now. I think record companies are at great fault. In general, they don’t want to develop talent, but rather get the most out of them in the short term. They’re steering people to do things they perhaps wouldn’t do but have to do and not everyone has the integrity to say “No way.” People are hungry and they have to make money and take care of their families, so it’s a great pressure. Only when you can afford it from an artistic or financial point of view can you express what you want to express.”

“(About Pop Idols) Obviously, it's designed by record company executives who want a cheap success, and they don't want to give money to anybody and they don't want to give contracts, so they've created this world of very bubbly teenagers who want to be "idols" and they think all they have to do is mime quite well and they've made it. … But it's not the problem of the kids, it's the problem of the record companies, because it's just an inexpensive way for them to have so-called, I won't say "artists", but erm…You're nodding, you know what I mean.”

“TW: I must ask you, what right does the fact that you are a popular and successful popstar give you to comment on political and…
M: Well, I feel that, if popular singers don’t say these things, who does? We can’t have any faith in playwrights any more, we can’t have any faith in filmstars, young people don’t care about those things, they’re dying arts. And if you say, what ‘right’ do you have, the implication there to me is that popular music is quite a low art, it should be hidden, it can be there but let’s not say anything terribly important, let’s just make disco records or whatever. So I really feel that we do have an obligation and I know that people respect it and they want it and it’s working to great effect.”

“They want to do all of their investigations. I don’t know. All of the thinking that goes into it. But we did not have a terrorist attack on our country during President Bush’s term. I hope they’re not looking at this politically. I do think we ought it to the American people to call it what it is.”

“I wonder if what makes a family a family isn't doing everything right all the time but, instead, giving a second chance to the people you love who do things wrong.”

“I made the statement years ago which is often quoted that 80 percent of life is showing up. People used to always say to me that they wanted to write a play, they wanted to write a movie, they wanted to write a novel, and the couple of people that did it were 80 percent of the way to having something happen. All the other people struck out without ever getting that pack. They couldn’t do it, that’s why they don’t accomplish a thing, they don’t do the thing, so once you do it, if you actually write your film script, or write your novel, you are more than half way towards something good happening. So that I was say [sic] my biggest life lesson that has worked. All others have failed me.”

“Most people are so busy knocking themselves out trying to do everything they think they should do, the never get around to doing what they want to do.”

“I’ve always said, if I get tired of it, I won’t do it. And I still enjoy it, and what’s there to get tired of? I always think that if people don’t recognize me, that’s when the problem starts. Right? That’s my way of looking at it. It’s great fun. I enjoy it. As I say, I wouldn’t do it if I didn’t enjoy it.”

“Most people think the world is out to get them, because they have all the evidence they need—they don’t get enough of what they want. But that doesn’t make it so.”

“I don't know where we should take this company, but I do know that if I start with the right people, ask them the right questions, and engage them in vigorous debate, we will find a way to make this company great.”