Quote (November 1897), # 52, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
reflecting on his youth and on the uncertainty about the future of choice to make
1895 - 1902
“Ach! I know. If I were to play the Pathetique or the Moonlight Sonata for the high judges, they would let me off. But my defense unfortunately will not be musical.”
To Leon Goldensohn, March 31, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004 - Page 82
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Walther Funk 12
German economist and politician 1890–1960Related quotes
“There is a moonlight note in the Moonlight Sonata; there is a thunder note in an angry sky.”
Dancing of Sounds http://www.poetrysoup.com/famous/poem/21378/Dancing_of_Sounds
From the poems written in English
Quoted in Monteux, Doris G (1965). It's All in the Music: The Life and Work of Pierre Monteux. New York: Farrar, Straus and Giroux. OCLC 604146, p. 196
Interview with Howard Stern http://www.youtube.com/watch?v=oPNfSekbTck,
Variant: I needed to hear the world but didn't want the world to know I was listening.
Source: The Impossible Knife of Memory
Images : My Life in Films (1990)
Context: A French critic cleverly wrote that "with Autumn Sonata Bergman does Bergman." It is witty but unfortunate. For me, that is. I think it is only too true that Bergman (Ingmar, that is) did a Bergman... I love and admire the filmmaker Tarkovsky and believe him to be one of the greatest of all time. My admiration for Fellini is limitless. But I also feel that Tarkovsky began to make Tarkovsky films and that Fellini began to make Fellini films. Yet Kurosawa has never made a Kurosawa film. I have never been able to appreciate Buñuel. He discovered at an early stage that it is possible to fabricate ingenious tricks, which he elevated to a special kind of genius, particular to Buñuel, and then he repeated and varied his tricks. He always received applause. Buñuel nearly always made Buñuel films.
1920s, Viereck interview (1929)