“Most imprisoned writers have been shut away for their activities as citizens striving for liberation against the oppression of the general society to which they belong. Others have been condemned by repressive regimes for serving society by writing as well as they can; for this aesthetic venture of ours becomes subversive when the shameful secrets of our times are explored deeply, with the artist's rebellious integrity to the state of being manifest in life around her or him; then the writer's themes and characters inevitably are formed by the pressures and distortions of that society as the life of the fisherman is determined by the power of the sea.”

— Nadine Gordimer

Writing and Being (1991)

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Nadine Gordimer 57

South african Nobel-winning writer 1923–2014

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“It’s hard to know how to deal with liberalization in cultures that have been repressed for a long time, that don’t have strong civil societies. But for the United States, of all countries, to be talking about human rights just rings very, very hollow in light of all the objections to our policy in Israel — the perception that we’re hard on one side and not on the other, and that we don’t contest the settlements or human-rights abuses committed by Israeli soldiers, and so on. Plus the fact that we have turned our back on international treaties and not been a global citizen, I think, makes people, even democrats, the leading lights in these repressed societies, very squeamish about being associated with the United States.”

Samantha Power (1970) Irish-American academic, author and diplomat

Samantha Power: How to lose friends and make enemies http://www.bostonphoenix.com/boston/news_features/top/features/documents/02844399.htm, Boston Phoenix, 2003.

“These examples and many others demonstrate an alarming trend whereby the privacy and dignity of our citizens is being whittled away by sometimes imperceptible steps. Taken individually, each step may be of little consequence. But when viewed as a whole, there begins to emerge a society quite unlike any we have seen -- a society in which government may intrude into the secret regions of man's life at will.”

William O. Douglas (1898–1980) Associate Justice of the Supreme Court of the United States

Dissenting, Osborn v. United States, 385 U.S. 323, 343 (1966)
Judicial opinions

“A good writer will be strengthened by his good writing at a time, let us say, of the resurgence of ignorance in our culture. I think I have been saying that the writer must never compromise with what is best in him in a world defined as free.”

Bernard Malamud (1914–1986) American author

Address at Bennington College (30 October 1984) http://www.nytimes.com/books/97/09/28/reviews/malamud-reflections.html as published in "Reflections of a Writer: Long Work, Short Life" in The New York Times (20 March 1988); also in Talking Horse : Bernard Malamud on Life and Work (1996) edited by Alan Cheuse and ‎Nicholas Delbanco, p. 35
Context: If I may, I would at this point urge young writers not to be too much concerned with the vagaries of the marketplace. Not everyone can make a first-rate living as a writer, but a writer who is serious and responsible about his work, and life, will probably find a way to earn a decent living, if he or she writes well. A good writer will be strengthened by his good writing at a time, let us say, of the resurgence of ignorance in our culture. I think I have been saying that the writer must never compromise with what is best in him in a world defined as free.

“Happiness is our natural state. Happiness is the natural state of little children, to whom the kingdom belongs until they have been polluted and contaminated by the stupidity of society and culture.”

Anthony de Mello (1931–1987) Indian writer

"Obstacles to Happiness", p. 78
Awareness (1992)
Context: Happiness is our natural state. Happiness is the natural state of little children, to whom the kingdom belongs until they have been polluted and contaminated by the stupidity of society and culture. To acquire happiness you don't have to do anything, because happiness cannot be acquired. Does anybody know why? Because we have it already. How can you acquire what you already have? Then why don't you experience it? Because you've got to drop something. You've got to drop illusions. You don't have to add anything in order to be happy; you've got to drop something. Life is easy, life is delightful. It's only hard on your illusions, your ambitions, your greed, your cravings. Do you know where these things come from? From having identified with all kinds of labels!

“No one in a productive society wants you to know there ways of looking at the world other than their ways, and among the effects drugs may have is that of switching a mind from the normal track. Reading the works of certain writers has a corresponding effect. When receptive individuals explore the writings of someone such as Lovecraft, they are majestically solaced to find articulations of existence countering those to which the heads around them have become habituated.”

Thomas Ligotti (1953) American horror author

The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

“The measure of a society is found in how they treat their weakest and most helpless citizens. As Americans, we are blessed with circumstances that protect our human rights and our religious freedom, but for many people around the world, deprivation and persecution have become a way of life.”

Jimmy Carter (1924) American politician, 39th president of the United States (in office from 1977 to 1981)

“The best way a writer can serve a revolution is to write as well as he can.”

Nadine Gordimer (1923–2014) South african Nobel-winning writer

Writing and Being (1991)
Context: Camus dealt with the question best. He said that he liked individuals who take sides more than literatures that do. 'One either serves the whole of man or does not serve him at all. And if man needs bread and justice, and if what has to be done must be done to serve this need, he also needs pure beauty which is the bread of his heart.' So Camus called for 'Courage in and talent in one's work.' And Márquez redefined tender fiction thus: The best way a writer can serve a revolution is to write as well as he can.
I believe that these two statements might be the credo for all of us who write. They do not resolve the conflicts that have come, and will continue to come, to contemporary writers. But they state plainly an honest possibility of doing so, they turn the face of the writer squarely to her and his existence, the reason to be, as a writer, and the reason to be, as a responsible human, acting, like any other, within a social context.

“I'm also lumbered with the title of being a writer's writer, which is the worst possible reputation you can have, because, of course, other writers don't read other writers except to gain evidence against them. And it puts readers off.”

John Banville (1945) Irish writer

John Banville: claiming Kafka as an Irish writer (2011)

“The artist, however faithful to his personal vision of reality, becomes the last champion of the individual mind and sensibility against an intrusive society and an officious state. The great artist is thus a solitary figure. He has, as Frost said, a lover's quarrel with the world. In pursuing his perceptions of reality, he must often sail against the currents of his time. This is not a popular role. If Robert Frost was much honored in his lifetime, it was because a good many preferred to ignore his darker truths. Yet in retrospect, we see how the artist's fidelity has strengthened the fiber of our national life. If sometimes our great artist have been the most critical of our society, it is because their sensitivity and their concern for justice, which must motivate any true artist, makes him aware that our Nation falls short of its highest potential. I see little of more importance to the future of our country and our civilization than full recognition of the place of the artist.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1963, Speech at Amherst College

“A writer — and, I believe, generally all persons — must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Twenty-four Conversations with Borges, Including a Selection of Poems: Interviews by Roberto Alifano, 1981–1983 (1984)

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