
Un Art de Vivre (The Art of Living) (1939), The Art of Marriage
Journals VA 14
1840s, The Journals of Søren Kierkegaard, 1840s
Un Art de Vivre (The Art of Living) (1939), The Art of Marriage
The Madness of Crowds: Gender, Race and Identity (2019)
Essays on Woman (1996), The Separate Vocations of Man and Woman According to Nature and Grace (1932)
Source: 1930s, Sex and Temperament in Three Primitive Societies (1935), p. 280, cited in Perspectives in Cultural Anthropology (1987) by Herbert A. Applebaum, p. 141
From interview with Rajeev Masand
"Classical and Baroque Sex in Everyday Life" (1979), Beginning To See the Light: Pieces of a Decade (1981)
Context: There are two kinds of sex, classical and baroque. Classical sex is romantic, profound, serious, emotional, moral, mysterious, spontaneous, abandoned, focused on a particular person, and stereotypically feminine. Baroque sex is pop, playful, funny, experimental, conscious, deliberate, amoral, anonymous, focused on sensation for sensation's sake, and stereotypically masculine. The classical mentality taken to an extreme is sentimental and finally puritanical; the baroque mentality taken to an extreme is pornographic and finally obscene. Ideally, a sexual relation ought to create a satisfying tension between the two modes (a baroque idea, particularly if the tension is ironic) or else blend them so well that the distinction disappears (a classical aspiration).
The First Sex, ch. 22 - Woman in the Aquarian Age (1971). "Masculist" is a coined word meant to correlate grammatically with "feminist."