“The blacksmith, by main force, unclosed the infant's hand, and found within the palm a small heap of glittering fragments, whence the mystery of beauty had fled forever. …Owen Warland …looked placidly at what seemed the ruin of his life's labor, and which was yet no ruin. He had caught a far other butterfly than this. When the artist rose high enough to achieve the beautiful, the symbol by which he made it perceptible to mortal senses became of little value in his eyes while his spirit possessed itself in the enjoyment of the reality.”

"The Artist of the Beautiful" (1844)

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Nathaniel Hawthorne128

American novelist and short story writer (1804 – 1879) 1804–1864

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“When the Artist rises high enough to achieve the Beautiful, the symbol by which he makes it perceptible to mortal senses becomes of little value in his eyes, while his spirit possesses itself in the enjoyment of the reality.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

As quoted in "Hawthorne and His Mosses" (1851) http://www.eldritchpress.org/nh/hahm.html by Herman Melville

“Anyone who cannot come to terms with his life while he is alive needs one hand to ward off a little his despair over his fate — he has little success in this — but with his other hand he can note down what he sees among the ruins, for he sees different (and more) things than do the others; after all, dead as he is in his own lifetime, he is the real survivor. This assumes that he does not need both hands, or more hands than he has, in his struggle against despair.”

Franz Kafka (1883–1924) author

19 October 1921
The Diaries of Franz Kafka 1910-1923 (1948)

“Communists sentenced my father's father to ten years hard labor for having a small American flag in his possession (by that time he had been a leader of the social democrats for some years). At his "trial" he was asked why he had the flag. Was he a spy? He replied that it represented freedom better than any other symbol he knew, and that he had a right to have it.”

Peter W. Schramm (1946–2015) American academic

"Born American, But in the Wrong Place" (2006)

“Having had to encounter single-handed during his period of eclipse many physical dangers, he was well aware of the most dangerous element common to them all: of the crushing, paralyzing sense of human littleness, which is what really defeats a man struggling with natural forces, alone, far from the eyes of his fellows.”

Joseph Conrad book Nostromo

Part Third: The Lighthouse, Ch. 8
Nostromo (1904)

“"Heaven! What have I done?" exclaimed he. "The vapor, the influence of that brute force,—it has bewildered me and obscured my perception. I have made the very stroke—the fatal stroke—that I have dreaded from the first. It is all over—the toil of months, the object of my life. I am ruined!"
And there he sat, in strange despair, until his lamp flickered in the socket and left the Artist of the Beautiful in darkness.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"The Artist of the Beautiful" (1844)

“He found oddly little regret in his heart for his own lost life. He'd seen more of the world than most men ever did, and he'd had his chances, though the gods knew he'd made little enough of them. Marshaling his thoughts, as he sheltered under his covers, he realized with some wonder that his greatest dismay was for the work he'd be forced to leave undone.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

Source: World of the Five Gods series, The Curse of Chalion (2000), p. 233

“Alas that the artist… may not content himself with the inward enjoyment of the beautiful, but must chase the fitting mystery beyond the verge of his ethereal domain, and crush its frail being in seizing it with a material grasp. Owen Warland felt the impulse to give external reality to his ideas as irresistibly as any of the poets or painters who have arrayed the world in a dimmer and fainter beauty, imperfectly copied from the richness of their visions.”

Nathaniel Hawthorne (1804–1864) American novelist and short story writer (1804 – 1879)

"The Artist of the Beautiful" (1844)

“He found him a tall figure, with a slightly flabby body, shining hair and well-trimmed beard. He appeared impressive, well-dressed and his eyes were exceptionally eloquent that drew everyone’s attention. There was deep note of mystery about his eyes…His style of conversation was always accompanied by his smile and too attractive which cast a spell on his addresses…He had a remarkable ability to assess others and immediately found out their mental level and their taste. Likewise, he had an enviable understanding of the context and situation in which he found himself placed.”

Zakir Hussain (politician) (1897–1969) 3rd President of India

Dr. Mujeeb, his friend during their stay in Germany in 1922, p. 75.
About Zakir Hussain, Quest for Truth (1999)

“The chief pleasure of his life in these days was to go down the road and look through the window in the wall in the hope of seeing the beautiful Island. … the sight of the Island and the sounds became very rare … and the yearning for the sight … became so terrible that John thought he would die if he did not have them again soon. … it came into his head that he might perhaps get the old feeling-for what, he thought, had the Island ever given him but a feeling?–by imagining. He shut his eyes and set his teeth again and made a picture of the Island in his mind.”

Clive Staples Lewis book The Pilgrim's Regress

Pilgrim’s Regress 12–13
The Pilgrim's Regress (1933)

“It was not until the ant and Veig had passed each other that Niall realized that he had been reading the ant's mind. It was a sensation like actually being the ant, as if he had momentarily taken possession of its body. And while he had been inside the ant's body, he had also become aware of all the other ants in the nest. It was a bewildering feeling, as if his mind had shattered into thousands of fragments, yet each fragment remained a coherent part of the whole.”

Colin Wilson (1931–2013) author

Source: Spider World: The Desert (1987), p. 57

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