“Fortunately, a sculptor's style and aim are, to a great extent, dictated to him by his materials. To make a sculpture seem at all moving or inspiring, an artist must, of course, be gifted with a certain personality that speaks movingly through the subject and materials of his work. But he must select appropriate materials, and use them appropriately, too... My materials often dictate my change of aims, and I choose to work in a different material much as a man may suddenly feel an appetite for a change in diet.”

— Ossip Zadkine

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, pp. 154-155

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Ossip Zadkine 31

French sculptor 1890–1967

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“. My materials often dictate my change of aims, and I choose to work in a different material much as a man may suddenly feel an appetite for a change of diet. After a steady diet of moulding plaster models for bronzes, I enjoy returning to a discipline of carving stone or wood, and the wood or the stone Inevitably suggests to me a shift of principles or of aims.”

Ossip Zadkine (1890–1967) French sculptor

As quoted in: 'The Work of Zadkine' (excerpt), Ionel Jianou, 1964; for the Zadkine Research Center https://www.zadkine.com/writing
1960 - 1968

“To make the material speak to man in the name of man, this is the aim and reality of art.”

Asger Jorn (1914–1973) Danish artist

Statement of 1971; as quoted in Asger Jorn (2002) by Arken Museum of Modern Art, p. 145
1959 - 1973, Various sources

“[You've said your material chooses you. ] That's the difference between the serious artist and the craftsman—-the craftsman can take material and because of his abilities do a professional job of it. The serious artist, like Proust, is like an object caught by a wave and swept to shore. He's obsessed by his material; it's like a venom working in his blood and the art is the antidote.”

Truman Capote (1924–1984) American author

From a 1968 interview
Truman Capote: Conversations (1987)

“We are talking about an artist; and for the enjoyment of the artist the mask must be to some extent moulded on the face. What he makes outside him must correspond to something inside him; he can only make his effects out of some of the materials of his soul.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

The Dagger with Wings (1926)

“There is a lot of model making in my work, also because I am the son of a sculptor Giannino Castiglioni and I always saw my father working with his hands and shaping material into the desired form.”

Achille Castiglioni (1918–2002) Italian designers and architect

Achille Castiglioni, 1960 - Lierna (Lago di Como), 1971. Scultore. in: Domus Magazine, Achille Effect, Laura Bossi, 13 April 2010, ( Domusweb online https://www.domusweb.it/en/news/2010/04/13/achille-effect.html)

“Light and space … are the sculptor's materials as much as wood or stone … I feel that I can relate my work more easily, in the open air, to the climate and the landscape.”

Barbara Hepworth (1903–1975) English sculptor

1947 - 1960
Source: Interview in Dialogues on Art, Edouard Roditi; London, 1960, pp. 91–92

“Our new aim is the organisation of the material environment, i. e. of contemporary industrial production, and all active artistic creativity must be directed towards this.”

Lyubov Popova (1889–1924) Russian artist

Quote, End of 1921, from; Liubov Popova, untitled manuscript, cited by A. Adaskina in 'Liubov' Popova. Put' stanovleniia khudozhnika-konstruktora', 'Tekhnicheskaia estetika', no.11, 1978, p.19; as quoted by Christina Lodder in Tate Papers no. 14: Liubov Popova: From Painting to Textile Design http://www.tate.org.uk/research/publications/tate-papers/14/liubov-popova-from-painting-to-textile-designhttp://www.tate.org.uk/research/publications/tate-papers/14/liubov-popova-from-painting-to-textile-design

“We must remember that the real problem is not how to produce some improvement in the condition of the working man— for that has to a certain extent been attained already— but how to secure his complete material independence.”

Arnold Toynbee (1852–1883) British economic historian

Source: Lectures on The Industrial Revolution in England (1884), p. 151

“He taught us by example to place little emphasis on personal material gain…his aim was to bequeath to posterity the riches of his brain and the wealth of his soul.”

Epifanio de los Santos (1871–1928) Filipino politician

The Manila Tribune. April 19, 1928.
BALIW

“And then, as you can see, I give greater and greater importance to the materials I use in my work [c. 1936]. A rich and vigorous material seems necessary to me in order to give the viewer that smack in the face that must happen before reflection intervenes. In this way, poetry is expressed through a plastic medium, and it speaks its own language.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

1915 - 1940
Source: 'Où allez-vous Miro?', Georges Duthuit in Cahiers d'Art 11, nos. 8-10, 1936

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Ossip Zadkine 31

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