“Truth is a shining goddess, always veiled, always distant, never wholly approachable, but worthy of all the devotion of which the human spirit is capable.”

Napoleon the Little (1852), Conclusion, Part First, III
Napoleon the Little (1852)

Leon MacLaren, Principles of Music, 1978

But what did he see? He saw — wonder of wonders — himself.
Novalis here alludes to Plutarch's account of the shrine of the goddess Minerva, identified with Isis, at Sais, which he reports had the inscription "I am all that hath been, and is, and shall be; and my veil no mortal has hitherto raised."
Pupils at Sais (1799)

III. Concerning myths; that they are divine, and why.
On the Gods and the Cosmos

XIV. In what sense, though the Gods never change, they are said to be made angry and appeased.
On the Gods and the Cosmos
Context: If any one thinks the doctrine of the unchangeableness of the Gods is reasonable and true, and then wonders how it is that they rejoice in the good and reject the bad, are angry with sinners and become propitious when appeased, the answer is as follows: God does not rejoice — for that which rejoices also grieves; nor is he angered — for to be angered is a passion; nor is he appeased by gifts — if he were, he would be conquered by pleasure.
It is impious to suppose that the divine is affected for good or ill by human things. The Gods are always good and always do good and never harm, being always in the same state and like themselves. The truth simply is that, when we are good, we are joined to the Gods by our likeness to live according to virtue we cling to the Gods, and when we become evil we make the Gods our enemies — not because they are angered against us, but because our sins prevent the light of the Gods from shining upon us, and put us in communion with spirits of punishment. And if by prayers and sacrifices we find forgiveness of sins, we do not appease or change the Gods, but by what we do and by our turning toward the divine we heal our own badness and so enjoy again the goodness of the Gods. To say that God turns away from the evil is like saying that the sun hides himself from the blind.

Source: Straight Man (1997), Ch. 2.

Truth and Knowledge http://wn.rsarchive.org/Books/GA003/TaK/GA003_index.html, preface

The Paris Review interview (1982)
Context: I’ve always been interested in the Mother Goddess. Not long ago, a young person, whom I don’t know very well, sent a message to a mutual friend that said: “I’m an addict of Mary Poppins, and I want you to ask P. L. Travers if Mary Poppins is not really the Mother Goddess.” So, I sent back a message: “Well, I’ve only recently come to see that. She is either the Mother Goddess or one of her creatures — that is, if we’re going to look for mythological or fairy-tale origins of Mary Poppins.”
I’ve spent years thinking about it because the questions I’ve been asked, very perceptive questions by readers, have led me to examine what I wrote. The book was entirely spontaneous and not invented, not thought out. I never said, “Well, I’ll write a story about Mother Goddess and call it Mary Poppins.” It didn’t happen like that. I cannot summon up inspiration; I myself am summoned.
Once, when I was in the United States, I went to see a psychologist. It was during the war when I was feeling very cut off. I thought, Well, these people in psychology always want to see the kinds of things you’ve done, so I took as many of my books as were then written. I went and met the man, and he gave me another appointment. And at the next appointment the books were handed back to me with the words: “You know, you don’t really need me. All you need to do is read your own books.”
That was so interesting to me. I began to see, thinking about it, that people who write spontaneously as I do, not with invention, never really read their own books to learn from them. And I set myself to reading them. Every now and then I found myself saying, “But this is true. How did she know?” And then I realized that she is me. Now I can say much more about Mary Poppins because what was known to me in my blood and instincts has now come up to the surface in my head.