“Genius is essentially creative; it bears the stamp of the individual who possesses it.”

— Anne Louise Germaine de Staël , book Corinne

Bk. 7, ch. 1
Corinne (1807)

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Anne Louise Germaine de Staël 42

Swiss author 1766–1817

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“The man whose action habitually bears the stamp of his mind is a genius, but the greatest genius is not always equal to himself, or he would cease to be human.”

Honoré de Balzac book Une fille d'Ève

L'homme qui peut empreindre perpétuellement la pensée dans le fait est un homme de génie; mais l'homme qui a le plus de génie ne le déploie pas à tous les instants, il ressemblerait trop à Dieu.
Source: A Daughter of Eve (1839), Ch. 3: The Story of a Happy Woman.

“Art is not the possession of the few who are recognized writers, painters, musicians; it is the authentic expression of any and all individuality. Those who have the gift of creative expression in unusually large measure disclose the meaning of the individuality of others to those others. In participating in the work of art, they become artists in their activity. They learn to know and honor individuality in whatever form it appears. The fountains of creative activity are discovered and released. The free individuality which is the source of art is also the final source of creative development in time.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

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“Every man bears the whole stamp of the human condition.”

Michel De Montaigne book Essays

Chaque homme porte la forme, entière de l'humaîne condition.
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“The dominant tradition in the sociology of art… defines art as something more special, in which creativity comes to the surface and the essential character if the society expresses itself, especially in the great work of the genius.”

Howard S. Becker (1928) American sociologist

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“The creative artist has an essential role in modern society. By expressing his individual ideas and emotions he adds to the sum of human awareness.”

Lloyd Goodrich (1897–1987) American art historian

'The Artist in American Society' - Colorado Magazine Vol. 15 No 2 Autumn 1966

“It is almost impossible to be a doctor and an honest man, but it is obscenely impossible to be a psychiatrist without at the same time bearing the stamp of the most incontestable madness: that of being unable to resist that old atavistic reflex of the mass of humanity, which makes any man of science who is absorbed by this mass a kind of natural and inborn enemy of all genius.”

Antonin Artaud (1896–1948) French-Occitanian poet, playwright, actor and theatre director

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“The exquisite and finely wrought susceptibility invariable marks the temperament of the poet. The cast of originality is the stamp and testimony of genius.”

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“It is precisely the essential feature of egoism that it does not apprehend the full value of the isolated self. The egoist sees himself only with regard to the others, as a member of society who wishes to possess and acquire more than the others. Self-directedness or other-directedness have no essential bearing on the specific quality of love or hatred. These acts are different in themselves, quite independently of their direction”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1961), p. 96

“An essential aspect of creativity is not being afraid to fail.”

Edwin H. Land (1909–1991) American scientist and inventor

As quoted in "A Genius and His Magic Camera" in LIFE magazine (27 October 1972); also in The Instant Image : Edwin Land and the Polaroid Experience (1978) by Mark Olshaker, p. 65
Variant: An essential aspect of creativity is not being afraid to fail.
Context: An essential aspect of creativity is not being afraid to fail. Scientists made a great invention by calling their activities hypotheses and experiments. They made it permissible to fail repeatedly until in the end they got the results they wanted. In politics or government, if you made a hypothesis and it didn't work out, you had your head cut off.

“There can be no doubt that the architects who planned and built the Ananda temple were Indians. Everything in this temple from Sikhara to the basement as well as the numerous stone sculptures found in its corridors and the terra-cotta…adoring its basement and terraces, bear the indubitable stamp of Indian genius and craftsmanship…In this sense, we may take it, therefore, that the Ananda, though built in the Burmese capital, is an Indian temple.”

R. C. Majumdar (1888–1980) Indian historian

' R. C. Majumdar, Ancient India, 1977, p. 497.

“Genius is essentially creative; it bears the stamp of the individual who possesses it.”

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Anne Louise Germaine de Staël 42

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