Session 919, Page 373
Dreams, Evolution and Value Fulfillment, Volume Two (1986)
“And he waves the pages of the papers, black and white the way space was when the galaxies were being formed, and crammed—as space was then—with isolated corpuscles, surrounded by emptiness, containing no destination or meaning. And I think how beautiful it was then, through that void, to draw lines and parabolas, pick out the precise point, the intersection between space and time where the event would spring forth, undeniable in the prominence of its glow; whereas now events come flowing down without interruption, like cement being poured, one column next to the other, one within the other, separated by black and incongruous headlines….”
Pages 92-93, "How Much Shall We Bet?"
Cosmicomics (1965)
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Italo Calvino 44
Italian journalist and writer of short stories and novels 1923–1985Related quotes
“Matter, space, and time ... according to the relativist, are types of relations between events.”
page 12 https://books.google.com/books?id=hwpKAAAAIAAJ&pg=PA12
Relativity for All, London, 1922
Vito Acconci interview, in The Art Newspaper, Art Basel edition, December 5, 2012.
The Chinese Novel (1938)
Context: A good novelist, or so I have been taught in China, should be above all else tse ran, that is, natural, unaffected, and so flexible and variable as to be wholly at the command of the material that flows through him. His whole duty is only to sort life as it flows through him, and in the vast fragmentariness of time and space and event to discover essential and inherent order and rhythm and shape. We should never be able, merely by reading pages, to know who wrote them, for when the style of a novelist becomes fixed, that style becomes his prison. The Chinese novelists varied their writing to accompany like music their chosen themes.