“The name [Pop] sounds so awful. Dada must have something to do with Pop. it's so funny, the names are really synonyms. Does anyone know what they're supposed to mean or have to do with, those names? Johns and Rauschenberg, Neo-Dada for all those years, and everyone calling them derivative and unable to transform the things they use, are now called progenitors of Pop. It's funny the way things change. I think John Cage has been very influential, and Merce Cunningham too, I think.... History books are being rewritten all the time.”

Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

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Andy Warhol133

American artist 1928–1987

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“I thought it was sad, you know, that they had that pop concert to commemorate Diana. I mean, she didn't have much to do with pop music, did she? They should've done something that celebrated what was really great about her life: By staging a gangbang in a minefield.”

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“He Robert Rauschenberg was a kind of enfant terrible at the time [around 1960] and I thought of him as an accomplished professional. He’d already had a number of shows, knew everybody, had been to Black Mountain College in South Carolina, working with all those avant-garde people.... Rauschenberg focused very much on working. I was prepared to do that, too. He was also involved with Merce Cunningham dance group and totally unconcerned with his success, in the cliché term. All of the activity had a lively quality, quite separate from any commercial situation.... [Rauschenberg moved into a loft in Jaser John's building and they very closely worked together for a couple of years]. You get a lot by doing. It's very important for a young artist to see how things are done. The kind of exchange we had was stronger than talking. If you do something then I do something then you do something, it means more than what you say.”

Jasper Johns (1930) American artist

Once Established, says Jasper Johns...,Grace Glueck, New York Times, 16 October 1977, sec. 2 pp. 1-31
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