“It is dreadful to think of Paris in German hands but what preoccupies me still more is what is going to happen to modern French art and the younger artists.”

—  Amrita Sher-Gil

In June 1938 Amrita and her husband fled from Fascist dominated Hungary.
Sikh Heritage,Amrita Shergil

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "It is dreadful to think of Paris in German hands but what preoccupies me still more is what is going to happen to moder…" by Amrita Sher-Gil?
Amrita Sher-Gil photo
Amrita Sher-Gil22
Hungarian Indian artist 1913–1941

Related quotes

“They [the younger woman artists in American Abstract Expressionism: Helen Frankenthaler and Joan Mitchell, ] are the next generation and it is another scene, another story. You forget that in my generation Paris was still the leading school of painting and this situation was being changed by a tiny handful of artists to a scene called New York, America, which never before had a leading role in the art world. That didn’t happen just by reading a newspaper. Now the next generation comes in and they may think it is rough for them but it is a pie... We broke the ground.”

Lee Krasner (1908–1984) American artist

Source: Art Talk, Conversations with 15 woman artists 1975, p. 80.

Lovis Corinth photo

“My conscious motivation was to bring German art up to the highest level. I saw what the French artists could do since some time, we could do much more. I spoke in front of our youth, I can say with success.”

Lovis Corinth (1858–1925) German painter

Quote, 1923; in Lovis Corinth, Selbstbiographie, L. Corinth; Hirzel, Leipzig, 1926, p. 189; as quoted in: German Artists&#x27; Writings in the XX Century - Lovis Corinth, Autobiographic Writings. Part two http://letteraturaartistica.blogspot.nl/2014/10/german-artists-writings-in-xx-century.html <br class="br">he wrote this quote in 1923 - the year of a retrospective exhibition of great success for him

“As I have said many times, for me an artist is a person who says he's an artist, and an artwork is what an artist says is an artwork. Although for myself, I am not interested in ideas as the burden of art.... the important thing about art is how it stimulates us. I think the more you are stimulated by more different kinds of art, the more demanding you're going to become on the level of your stimulation. The key to art is experience of it and proximity to it.”

Carl Andre (1935) American artist

Source: Artists talks 1969 – 1977, p. 14

Edith Wharton photo

“Another unsettling element in modern art is that common symptom of immaturity, the dread of doing what has been done before.”

Edith Wharton (1862–1937) American novelist, short story writer, designer

The Writing of Fiction (1925), ch. I

Claude Monet photo

“In Paris one is too preoccupied by what one sees and what one hears, however strong one is; what I am doing here has, I think, the merit of not resembling anyone, because it is simply the expression of what I myself have experienced.”

Claude Monet (1840–1926) French impressionist painter

in a letter to Frédéric Bazille from Etretat, December 1868; as cited in: Mary Tompkins Lewis (2007) Critical Readings in Impressionism and Post-Impressionism. p. 83
1850 - 1870

Daniel Buren photo

“Putting a shovel in a gallery or museum signified “this shovel has become art.” And it actually was. The action itself is art, because the artist projects himself in choosing the shovel, and especially in placing it out of context. It is art in the sense that the imprint of a hand in a cave is art, the Mona Lisa is art, a happening is art, etc. It is a problem that touches on the ethics and function of the artist: he assumes the right to have this supra-human calling that allows him to say to others, “everything that I touch with my hand is transformed into art.” The artist imposes his anguish, his vision of the world, and himself on others. The artist emasculates the observer. Maybe he thinks that the latter deserves no better… The artist assumes the right to show you what you can see for yourself, what you could obviously see much more clearly without his intervention. I contest this right.”

Daniel Buren (1938) sculptor from France

Source: Art is no longer justifiable or setting the record straight, 2000, p. 66-67

Brigitte Bardot photo

“It's incredible to think that such dreadful things are still happening in a country like Canada, in a country that can hardly be considered undeveloped. We're not living in caves any more.”

Brigitte Bardot (1934) French model, actor, singer and animal rights activist

Anish Kapoor photo

“Germans have a rather healthy respect for the arts and artists, [could] not be more different from the British perspective.”

Anish Kapoor (1954) British contemporary artist of Indian birth

Maeve Binchy photo

“Suddenly they asked me, as only the French would, ‘Madame, what is your philosophy of life?’ What a cosmic question, but I had to answer, and answer quickly, because it was live. So I said, in French, ‘I think that you’ve got to play the hand that you’re dealt and stop wishing for another hand.”

Maeve Binchy (1940–2012) Irish novelist

Recalling being invited to appear on French TV on what she described as “a terrifying serious program about books”. nydailynews.com http://www.nydailynews.com/entertainment/popular-irish-author-maeve-binchy-dies-72-article-1.1125516?localLinksEnabled=false

Gabriele Münter photo

“Each of us [the Der Blaue Reiter (Blue Rider) artists] was interested in the work of the other members of our group, much as each of us was also interested in the health and happiness of the others. But we were still far from considering ourselves as a group or a school of art... I don't think we were ever as programmatic in out theories, as competitive or a self-assertive, as some of the modern [art] schools of Paris.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 117

Related topics