“And the sand all alive, all alive, as the hatched sea-turtles made their dash for the sea, while the birds hovered and swooped to attack and hovered and—swooped to attack! They were diving down on the hatched sea-turtles, turning them over to expose their soft undersides, tearing the undersides open and rending and eating their flesh.”
Mrs. Venable, Scene One
Suddenly Last Summer (1958)
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Tennessee Williams 139
American playwright 1911–1983Related quotes

[Impact of nondegradable marine debris on the ecology and survival outlook of sea turtles, Marine Pollution Bulletin, 18, 6, June 1987, 352–356, https://www.sciencedirect.com/science/article/pii/S0025326X87800255] (quote from p. 352)

“Navigating by the compass in a sea of clouds over Spain is all very well, it is very dashing, but—”
Source: Terre des Hommes (1939), Ch. I : The Craft
Context: "Navigating by the compass in a sea of clouds over Spain is all very well, it is very dashing, but—"
And I was struck by the graphic image:
"But you want to remember that below the sea of clouds lies eternity."
And suddenly that tranquil cloud-world, that world so harmless and simple that one sees below on rising out of the clouds, took on in my eyes a new quality. That peaceful world became a pitfall. I imagined the immense white pitfall spread beneath me. Below it reigned not what one might think — not the agitation of men, not the living tumult and bustle of cities, but a silence even more absolute than in the clouds, a peace even more final. This viscous whiteness became in my mind the frontier between the real and the unreal, between the known and the unknowable. Already I was beginning to realize that a spectacle has no meaning except it be seen through the glass of a culture, a civilization, a craft. Mountaineers too know the sea of clouds, yet it does not seem to them the fabulous curtain it is to me.

Heimsljós (World Light) (1940), Book Two: The Palace of the Summerland

“Castles made of sand, fall in the sea, eventually”
Castles Made Of Sand
Song lyrics, Axis: Bold as Love (1967)
Source: The Interpretation of Cultures (1973), p. 28-29