“Many so called primitives are afraid of cameras. They think it can capture their soul and take it away. There is in fact something obscene and sinister about photography, a desire to imprison, to incorporate, sexual intensity, a sexual intensity of pursuit.”

—  William S. Burroughs

Two Years Later: Mexico City Return
Queer: A Novel (1985)

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William S. Burroughs 110
American novelist, short story writer, essayist, painter, a… 1914–1997

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“When sexuality is operating in the service of intimacy, it is the fact that it is the particular other who is responding to the vulnerability inherent in sustaining desire that generates intensity and meaning. It is precisely the physiological intensity of the sexual response that lends the sexual encounter its dramatic interpersonal significance. This suggests that it is a mistake to regard the role of sexuality in relation to needs for relatedness and attachment as a "sexualization," which implies that sex is carrying something that can and somehow should be attended to in other ways. (Although this is sometimes the case.) The distinction between preoedipal and oedipal developmental levels often implies such an artificial and misleading separation between sexual experience and issues of attachment and connection. There is perhaps nothing better suited for experiencing and deepening the drama of search and discovery than the mutual arousal, sustaining, and quenching of sexual desire.”

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Jean Baudrillard photo

“The close-up of a face is as obscene as a sexual organ seen from up close. It is a sexual organ. The promiscuity of the detail, the zoom-in, takes on a sexual value.”

Jean Baudrillard (1929–2007) French sociologist and philosopher

Source: 1980s, The Ecstasy of Communication (1987), p. 43

Sigmund Freud photo

“The sexual wishes in regard to the mother become more intense and the father is perceived as an obstacle to the; this gives rise to the Oedipus complex.”

Sigmund Freud (1856–1939) Austrian neurologist known as the founding father of psychoanalysis

1920s, The Ego and the Id (1923)

“When you capture a woman’s soul prior to a sexual encounter, consider yourself extremely fortunate.”

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Camille Paglia photo

“Pursuit and seduction are the essence of sexuality. It’s part of the sizzle.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), The Rape Debate, Continued, p. 59
Context: I am being vilified by feminists for merely having a common-sense attitude about rape. I loathe this thing about date rape. Have twelve tequilas at a fraternity party and a guy asks you to go up to his room, and then you're surprised when he assaults you? Most women want to be seduced or lured. The more you study literature and art, the more you see it. Listen to Don Giovanni. Read The Faerie Queene. Pursuit and seduction are the essence of sexuality. It’s part of the sizzle. Girls hurl themselves at guitarists, right down to the lowest bar band here. The guys are strutting. If you live in rock and roll, as I do, you see the reality of sex, of male lust and women being aroused by male lust. It attracts women. It doesn't repel them. Women have the right to freely choose and to say yes or no. Everyone should be personally responsible for what happens in life. I see the sexual impulse as egotistical and dominating, and therefore I have no problem understanding rape. Women have to understand this correctly and they'll protect themselves better. If a real rape occurs, it's got to go to the police. The business of having a campus grievance committee decide whether or not a rape is committed is an outrageous infringement of civil liberties. Today, on an Ivy League campus, if a guy tells a girl she's got great tits, she can charge him with sexual harassment. Chickenshit stuff. Is this what strong women do?

László Moholy-Nagy photo

“The photogram, image formation outside the camera is the real key to photography, it embodies the essence… that allows us to capture light on light sensitive material without the use of any camera.”

László Moholy-Nagy (1895–1946) Hungarian artist

Art of the 20th century, Part 1 by Karl Ruhrberg, Klaus Honnef, Manfred Schneckenburger, Ingo F. Walther, Christiane Fricke (2000) p. 627.

Vincent Gallo photo

“The common purpose of pornography is to enhance sexual pleasure or sexual fantasy. It is meant to be free of things like guilt, insecurity, anger or responsibility. It can also be detached from the struggles of intimacy. I chose to use imagery common in pornography but placed these images in the emotional context which included intense guilt, anger, regret, anguish, and confusion. In this context, it is difficult for the images to enhance sexual pleasure or sexual fantasy. Instead, the graphic images work better to enhance the discomfort of intimacy.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

Another Man Essay

Susan Sontag photo

“An erotic life is, for more and more people, that which can be captured on digital photographs and on video. And perhaps the torture is more attractive, as something to record, when it has a sexual component.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Regarding the Torture of Others (2004)

Gilbert Herdt photo

“Social and cultural factors very broadly channel and limit sexual variation in human populations. Sexual laws, codes, and roles do restrict the range and intensity of sexual practices, as far as we can judge from the cross-cultural literature (Herdt and Stoller 1990). Kinsey lent his support to this view; Ford and Beach (1950) documented it in surveys; and Margaret Mead (1961) did so in her ethnographic studies. But biosocial, genetic, and hormonal predispositions also broadly limit and channel.”

Gilbert Herdt (1949) American anthropologist

"Bisexuality and the Causes of Homosexuality: The Case of the Sambia"
Context: Social and cultural factors very broadly channel and limit sexual variation in human populations. Sexual laws, codes, and roles do restrict the range and intensity of sexual practices, as far as we can judge from the cross-cultural literature (Herdt and Stoller 1990). Kinsey lent his support to this view; Ford and Beach (1950) documented it in surveys; and Margaret Mead (1961) did so in her ethnographic studies. But biosocial, genetic, and hormonal predispositions also broadly limit and channel. Each culture's theory of the combination of these social and biological constraints we could call its theory of human sexual nature. Yet none of these broad principles, nor the local theory of human sexual nature, entirely explains or predicts a particular person's sexual desires or behaviors. A sexual behavior, that is, does not necessarily indicate an erotic orientation, preference, or desire. The homosexual is not the same as the homoerotic; whether in our society or one very exotic, I will claim, we can distinguish the homosexual from the homoerotic, as Oscar Wilde's case first hinted.

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