Agnes Martin (1912–2004) American artist
1974
1970's, interview, K. Horsfield & L. Blumenthal
Esquire, in the column "The Resident Rock Star: JOHN MAYER" http://www.keepmedia.com/pubs/Esquire/2004/07/01/484084?from=search&criteria=john+mayer (July 1, 2004)
Agnes Martin (1912–2004) American artist
1974
1970's, interview, K. Horsfield & L. Blumenthal
Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer
Oui interview (1979)
George W. Bush (1946) 43rd President of the United States
"Information Sharing, Patriot Act Vital to Homeland Security" http://georgewbush-whitehouse.archives.gov/news/releases/2004/04/20040420-2.html speech at Kleinshans Music Hall, Buffalo, New York, 20 April 2004; whitehouse.gov (accessed 2006-05-18) <br class="br">2000s, 2004
Matt Dillon (1964) American actor
Bill Muller (June 24, 2005) "Dillon Bucks Wayward-Youth Roles", The Arizona Republic, p. P3.
John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra
On the visionary differences between McLaughlin and amongst other members of the Mahavishnu Orchestra, as quoted in Fripp, Robert. "Coffee and Chocolates for Two Guitars". Musician No. 45, July 1982. https://www.elephant-talk.com/wiki/Interview_with_John_McLaughlin_by_Robert_Fripp_in_Musician
M.I.A. (1975) British recording artist, songwriter, painter and director
Interview http://niralimagazine.com/2004/10/not-so-missing-in-action/ with Nirali magazine (October 2004) <br class="br">Sourced quotes
Richard Wilbur (1921–2017) American poet
National Book Award Acceptance Speech (1957)
Context: It is true that the poet does not directly address his neighbors; but he does address a great congress of persons who dwell at the back of his mind, a congress of all those who have taught him and whom he has admired; that constitute his ideal audience and his better self. To this congress the poet speaks not of peculiar and personal things, but of what in himself is most common, most anonymous, most fundamental, most true of all men. And he speaks not in private grunts and mutterings but in the public language of the dictionary, of literary tradition, and of the street. Writing poetry is talking to oneself; yet it is a mode of talking to oneself in which the self disappears; and the products something that, though it may not be for everybody, is about everybody.