“Only when architect, bricklayer and tenant are a unity, or one and the same person, can we speak of architecture. Everything else is not architecture, but a criminal act which has taken on form.”

Mould Manifesto against Rationalism in Architecture (1958)

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Friedensreich Hundertwasser10

Austrian artist 1928–2000

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“This most modern art discipline - Social Sculpture / Social Architecture - will only reach fruition when every living person becomes a creator, a sculptor, or architect of the social organism.”

Joseph Beuys (1921–1986) German visual artist

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“The purpose here is to demonstrate the diversity of classical formulae which appeared in architectural design, and if we look at classical architecture as a repertoire of forms rather than statements of specific design credos we can challenge teleological constructions of stylistic histories. The method of grouping the architecture from given periods of time under general stylistic labels has, without doubt, been the backbone of the discipline of architectural history. And when used skilfully and carefully it can provide useful punctuation marks in the lengthy and complex narrative that is the subject-matter of the history of western building. Yet it is only one of many tools with which to explore social and cultural contexts.”

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“The new architecture considers not only space, but also time to be an architectural value. The unity of space and time will give architecture a new form of appearance, which is more complete. This is what is meant by 'active space'.... the dissimilar space-cells develop eccentrically from the center to the borders of the cube, thereby granting a new plastic quality to the dimensions of height, width, depth, and time.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

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“The purpose of architecture is to transmute the emptiness into space, that is into something which our minds can grasp as an organized unity.”

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“But the projects with which the architects of Russian proletarian architecture present us are not only based on pure imagination, but their construction would, if they were fitted for realization, entail enormous waste of space and materials. The dwelling complex 'Wolkenbügel' [architecture, designed by Lissitzky, with the help of [ w:Emil Roth - Swiss architect, 1924] (assuming that one could live here without either freezing or melting!), shaped like a 4, stands in a very un-constructive way on three legs in which the elevators are located. The latter take up as much space as would one or more skyscrapers. And these 'architects' are to teach the West what architecture is!”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

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“‘Architecture’ may at first appear to be a more fixed and finite term. It has a threedimensional, tangible, useable form. But questions remain about what can be considered architecture and what cannot, and by this I mean that we usually understand architecture to incorporate aesthetic as well as functional consideration into its structure. Anything that does not fall into this category can be described as ‘just a building’. This may seem too simple. Can architecture be determined solely by the use of refined architectural style – high or polite architecture instead of vernacular?”

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“The world is changing dramatically and architecture, and especially cities, need to move with these changes. What can we do to help as architects? Architecture as a way of thinking — as the title of our first exhibition in 1989 suggested — is more relevant than ever.”

Jacques Herzog (1950) Swiss architect

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“Architecture, of all the arts, is the one which acts the most slowly, but the most surely, on the soul.”

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“The influence of literary theory on its related disciplines has prompted much debate about the notion of ‘authorship’. Yet the attraction of exploring architecture, or more specifically a building, through the life of its architect (author) remains a significant force in the construction of its histories. This is particularly the case when the architect has been identified as a major figure in the evolution of the architectural history. Conversely, buildings without architects are pushed to the sidelines of history.”

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“Only when architect, bricklayer and tenant are a unity, or one and the same person, can we speak of architecture. Everything else is not architecture, but a criminal act which has taken on form.”

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Friedensreich Hundertwasser10

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