“There is … a clever maxim which bears upon what I was saying to you some little while ago, and that is, that unless wicked ideas take root in a naturally depraved mind, human nature, in a right] and wholesome state, revolts at [[crime. Still, from an artificial civilisation have originated wants, vices, and false tastes, which occasionally become so powerful as to stifle within us all good feelings, and ultimately to lead us into guilt and wickedness…”

— Alexandre Dumas, book The Count of Monte Cristo

Chapter 17 http://en.wikisource.org/wiki/The_Count_of_Monte_Cristo/Chapter_17 <br class="br">The Count of Monte Cristo (1845–1846)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "There is … a clever maxim which bears upon what I was saying to you some little while ago, and that is, that unless wic…" by Alexandre Dumas?

Alexandre Dumas123

French writer and dramatist, father of the homonym writer a… 1802–1870

Related quotes

“The good taste we speak of, which is that of literature, is not limited to what we call the sciences, but extends itself imperceptibly to other arts, such as architecture, painting, sculpture, and music. 'Tis the same discerning faculty which introduces universally the same elegance, the same symmetry, and the same order in the disposition of the parts; which inclines us to a noble simplicity, to natural beauties, and a judicious choice of ornaments. On the other hand, the depravation of taste in arts has been always a mark and consequence of the depravation of taste in literature. … The good taste of literature reaches also to public customs, and the manner of living. An habit of consulting the best rules upon one subject, naturally leads to the doing it also upon others.”

Charles Rollin (1661–1741) French historian

The Method of Teaching and Studying the Belles Lettres, Vol. I, The Third Edition (1742), Part II, Ch. 2: 'General Reflections upon what is called good Taste', pp. 45–46

“We learn particularly from the Timaeus of Plato, that the Egyptians believed the world to be subject to occasional conflagrations and deluges, whereby the gods arrested the career of human wickedness, and purified the earth from guilt. After each regeneration, mankind were in a state of virtue and happiness, from which they gradually degenerated again into vice and immorality.”

Charles Lyell book Principles of Geology

Chpt.2, p. 11
Principles of Geology (1832), Vol. 1
Context: We learn particularly from the Timaeus of Plato, that the Egyptians believed the world to be subject to occasional conflagrations and deluges, whereby the gods arrested the career of human wickedness, and purified the earth from guilt. After each regeneration, mankind were in a state of virtue and happiness, from which they gradually degenerated again into vice and immorality. From this Egyptian doctrine, the poets derived the fable of the decline from the golden to the iron age.

“Mind and body were originally one. Do not think that the power you have is only the power you ordinarily use and moan that you have little strength. The power you ordinarily use is like the small visible segment of an iceberg. When we unify our mind and body and become one with the universe, we can use the great power that is naturally ours.”

Koichi Tohei (1920–2011) Japanese aikidoka

4 : Unification of mind & body
Ki Sayings (2003)

“I most sincerely console with you for the loss of your dear little girl, but it is our duty to submit with all the resignation human nature is capable of to the dispensation of Divine Providence which bestows upon us our blessings, and consequently has a right to take them away.”

George Mason (1725–1792) American delegate from Virginia to the U.S. Constitutional Convention

Letter to his daughter Sarah Mason McCarty after the death of an infant daughter (10 February 1785), published in The Life of George Mason, 1725-1792 Vol. 2 (1892) by Kate Mason Rowland, p. 74

“Conformity to nature has no connection whatever with right and wrong. The idea can never be fitly introduced into ethical discussions at all, except, occasionally and partially, into the question of degrees of culpability. To illustrate this point, let us consider the phrase by which the greatest intensity of condemnatory feeling is conveyed in connection with the idea of nature - the word "unnatural."”

John Stuart Mill (1806–1873) British philosopher and political economist

That a thing is unnatural, in any precise meaning which can be attached to the word, is no argument for its being blamable; since the most criminal actions are to a being like man not more unnatural than most of the virtues.
Source: On Nature (1874), p. 102

“The success is various, as the faculties and conditions which God has given are various; but the spectre which haunted the conscience is gone. Our failures are errors, not crimes — nature's discipline with which God teaches us; and as little violations of His law, or rendering us guilty in His eyes, as the artist's early blunders, or even ultimate and entire failures, are laying store of guilt on him.”

James Anthony Froude book The Nemesis of Faith

Fragments of Markham's notes
The Nemesis of Faith (1849)
Context: Finally rises philosophy, which, after a few monstrous efforts from Calvin to Leibnitz to reconcile contradictions and form a theodice, comes out boldly in Spinozism to declare the impossibility of the existence of a power antagonistic to God; and defining the perfection of man's nature, as the condition under which it has fullest action and freest enjoyment of all its powers, sets this as a moral ideal hefore us, toward which we shall train our moral efforts as the artist trains his artistic efforts towards his ideal. The success is various, as the faculties and conditions which God has given are various; but the spectre which haunted the conscience is gone. Our failures are errors, not crimes — nature's discipline with which God teaches us; and as little violations of His law, or rendering us guilty in His eyes, as the artist's early blunders, or even ultimate and entire failures, are laying store of guilt on him.