“Dada is a new tendency in art. One can tell this from the fact that until now nobody knew anything about it, and tomorrow everyone in Zurich will be talking about it. Dada comes from the dictionary. It is terribly simple. In French it means 'hobby horse'. In German it means 'good-bye', 'Get off my back', 'Be seeing you sometime'. In Romanian: 'Yes, indeed, you are right, that's it. But of course, yes, definitely, right.”

And so forth.
1916, Dada Manifesto (1916)

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Hugo Ball19

German author, poet and one of the leading Dada artists 1886–1927

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“Dada; knowledge of all the means rejected up until now... Dada; abolition of logic, which is the dance of those impotent to create: Dada; of every social hierarchy and equation set up for the sake of values by our valets: Dada; every object, all objects, sentiments, obscurities, apparitions and the precise clash of parallel lines are weapons for the fight: Dada; abolition of memory: Dada; abolition of archaeology: Dada; abolition of prophets: Dada; abolition of the future: Dada; absolute and unquestionable faith in every god that is the immediate product of spontaneity:* Dada; elegant and unprejudiced leap from a harmony to the other sphere… Freedom: Dada Dada Dada, a roaring of tense colors, and interlacing of opposites and of all contradictions, grotesques, inconsistencies: LIFE.”

Tristan Tzara (1896–1963) Romanian and French avant-garde poet, essayist and performance artist

1910s, Dada Manifesto', 1918

“Dada is able to mobilize the optical and dimensional static viewpoint which keeps us imprisoned in our [three-dimensional] illusions. Thus it became possible t0 perceive the entire prism of the world instead of just one facet at a time. In this connection Dada is one of the strongest manifestations of the fourth dimension, transposed onto the subject.... Dada is 'yes-no', a bird on four legs, a ladder without steps, a square without angels. Dada possesses as many positives as negatives. To think that Dada simply means destruction is to misunderstand life, of which Dada is the expression.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's article 'What is Dada?????????????????', in Dutch art-magazine De Stijl, The Hague, 1923; as quoted in "Theo van Doesburg", Joost Baljeu, Studio Vista, London 1974, p. 134
1920 – 1926

“Yes, the memory still moves her.
Yes, just a little tired now. Yes, it will pass.
You may get up. Thank her. Say good-bye. Leave,
passing by the new arrivals in the hall.”

Wisława Szymborska (1923–2012) Polish writer

"Pietà"
Poems New and Collected (1998), No End of Fun (1967)

“Dada hurts. Dada does not jest, for the reason that it was experienced by revolutionary men and not by philistines who demand that art be a decoration for the mendacity of their own emotions... I am firmly convinced that all art will become dadaistic in the course of time, because from Dada proceeds the perpetual urge for its renovation.”

Richard Huelsenbeck (1892–1974) German poet

Quote of Huelsenbeck, in 'Dada Lives', Transition no. 25 (Autumn 1936), as cited in The Dada Painters and Poets: An Anthology, ed. Robert Motherwell (1951)

“Yes, you should talk," he said. "Sometimes a sad man can talk the sadness right out through his mouth. Sometimes a killin' man can talk the murder right out of his mouth.”

John Steinbeck book The Grapes of Wrath

Source: The Grapes of Wrath

“How does one achieve eternal bliss? By saying dada. How does one become famous? By saying dada. With a noble gesture and delicate propriety. Till one goes crazy. Till one loses consciousness. How can one get rid of everything that smacks of journalism, worms, everything nice and right, blinkered, moralistic, europeanised, enervated? By saying dada..”

Hugo Ball (1886–1927) German author, poet and one of the leading Dada artists

1916, Dada Manifesto (1916)

“I think the scariest things are hidden in plain view, meaning you can see something and your intuition will tell you there's something not right about this person or there's something about this situation that my gut is telling me isn't right and your rational mind will say "just get over it, everything is fine, you're fine."”

Chantal Quesnel (1971) Canadian actress

Something could be so scary because it's right there, it's hidden in plain sight, and that to me is the psychology of fear. <br class="br"> Con Men Interviews: Fiona Dourif, Chantal Quesnel, Danielle Bisutti on Curse of Chucky https://www.youtube.com/watch?v=cBb8r-vhFoU (August 19, 2013)

“The Cubists want to cover Dada with snow; that may surprise you, but it is so, they want to empty the snow from their pipe to bury DaDa.
Are you sure?
Positively sure, the facts are revealed by grotesque mouths. They think that Dada can prevent them from practicing this odious trade: Selling art expensively.
Art costs more than sausages, more than women, more than everything.
Art is visible like God (see Saint-Sulpice).
Art is a pharmaceutical product for imbeciles.
The table turns thanks to spirit; the paintings and other works of arts are like strong-box tables, the spirit is inside and becomes more and more
inspired according to the auction prices.
Farce, farce, farce, farce, farce, my dear friends.”

Francis Picabia (1879–1953) French painter and writer

In 'DADA manifesto 1920'; as quoted in Manifesto: A Century of Isms, ed. Mary Ann Caws, Lincoln: University of Nebraska Press, 2001, nr. 9.16 Francis Picabia, p 318
1920's

“On the French view of international politics: "According to my dictionary, the word 'ally' comes from the Old French. Very Old French, I'd say. For the New French, the word has a largely postmodern definition of 'duplicitous charmer who undermines you at every opportunity.'”

Mark Steyn (1959) Canadian writer

The Australian, 23 February 2007

“Do you know how many rules there are in football? … There are 17 rules. That's it. Everyone talks about football and nobody remembers this simple fact.”

Alfredo Di Stéfano (1926–2014) Argentine association football player

The Guardian interview (2008)

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Hugo Ball19

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