“All my films are somewhat experimental, they are all, each one, taking a certain amount of risk, but there's always the basic assumption that we should be able to appreciate the cinema as much with the mind as we can through emotional empathy. Sometimes it works, sometimes it doesn't.”

— Peter Greenaway

From an interview in Art and Design, no. 49
Interviews

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Peter Greenaway 266

British film director 1942

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“It seems to me that dominant cinema seems to require an empathy or a sympathy between the film and the audience which is basically to do with the manipulation of the emotions and it seems to me again -- and this is a very subjective position -- that most cinema seems to trivialise the emotions, sentimentalising or romanticising them.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
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“Everybody takes his or her reality for granted. Everybody takes for granted the reality we see, we hear. That’s true for life as well as poetry. We grow up in certain circumstances, in a certain environment, and we understand that this is the way the world works. Sometimes we have to unlearn that truth, learn that there is a different or broader reality. I’m always open to that, and I’m certainly transformed any number of times during my life. And then I regress. We all do it…”

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“When I think of art, I think of beauty. Beauty is the mystery of life. It is in the mind, not in the eye. In our minds, we have an awareness of perfection that leads us on... The response to beauty is emotion. Sometimes very subtle emotions of which we are almost not aware, and sometimes our most powerful emotions..”

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“Philosophy of religion … really amounts to … philosophizing on certain favorite assumptions that are not confirmed at all.”

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“[T]he plan we are advocating amounts essentially to this: that a certain small income, sufficient for necessaries, should be secured to all, whether they work or not, and that a larger income, as much larger as might be warranted by the total amount of commodities produced, should be given to those who are willing to engage in some work which the community recognizes as useful.”

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“All my films are somewhat experimental, they are all, each one, taking a certain amount of risk, but there's always the basic assumption that we should be able to appreciate the cinema as much with the mind as we can through emotional empathy. Sometimes it works, sometimes it doesn't.”

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