“We [ Franz Marc & Kandinsky] thought up the name [ Der Blaue Reiter (Blue Rider)] while sitting at a cafe table... Both of us were fond of blue things, [Franz] Marc of blue horses, and I of blue riders. So the title suggested itself.”

— Wassily Kandinsky

as quoted in Wassily Kandinsky: Life and Work, Will Grohmann. H. N. Abrams, 1958 p. 78
1920 - 1930

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Wassily Kandinsky 68

Russian painter 1866–1944

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“I have just been thinking that the Blaue Reiter (Blue Rider) does not really represent my work. I have always been convinced that other things of mine are more important… Narcism, fake heroism, and blindness have a lot to answer for, in the 'Blaue Reiter'. All those high-sounding words about the birth of a great spiritual moment still resounding in my ears. Kandinsky can air his personal opinion about that or any other revolution he cares to mention. But I dislike the whole thing… Take my advice – work, and don't spent so much time thinking about blue riders or blue horses.”

August Macke (1887–1914) German painter of the expressionist group Der Blaue Reiter

In a letter to his friend Franz Marc (Jan. 1912), quoted in 'Meseure 38'; as quoted in Movement, Manifesto, Melee: The Modernist Group, 1910-1914, Milton A. Cohen, Lexington Books, Sep 14, 2004, p. 73, (note 19)

“.. we parted in 1914, when Kandinsky, being an enemy alien [because of his Russian nationality], had to flee from Germany to Switzerland, as did Jawlensky and Marianne de Werefkin too [to neutral Switzerland]... Ever since we parted in 1914, I have worked mainly by myself. After the First World War, here in Munich, we found that our Blue Rider group had broken up. Franz Marc and Macke had both been killed [in World War 1. ] Kandinsky, Jawlensky and Marianne were no longer here; Bloch and Burliuk were in America. Those of us who were still in Munich remained friends, of course, but each one of us had learned to work by himself rather than in a group. Besides.... we had always been individualists and our Blue Rider group never had a style of its own as uniform as that of the Paris cubists.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 121

“Each of us [the Der Blaue Reiter (Blue Rider) artists] was interested in the work of the other members of our group, much as each of us was also interested in the health and happiness of the others. But we were still far from considering ourselves as a group or a school of art... I don't think we were ever as programmatic in out theories, as competitive or a self-assertive, as some of the modern [art] schools of Paris.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 117

“My son Robert, the scientist, told me at dinner that blue is not blue. That what we call blue is actually something that absorbs all other energy frequencies and rejects blue. Our eyes see the frequencies cast off as blue and we call it blue. I wondered, are we defined by the things we are, or the things we reject?”

Stephen Tobolowsky (1951) actor and writer

Stephen Tobolowsky in a Facebook post on July 3, 2014 https://www.facebook.com/stephentobolowsky/posts/897200563629843.

“Kandinsky was connected with Die Brücke and the Blue Rider: they had a concept and created a reality. But I prefer Jean Fautrier [French painter-artist; 1898 - 1965] with his suffering and self-absorption. And his purpose on bringing about changes was just as strong. As a result I see in Fautrier a stronger paradigm than in Kandinsky..”

Anselm Kiefer (1945) German painter and sculptor

(1986) n.p.
Structures are no longer valid', in "Ein Gespräch..."

“So, Beav, tell me about yourself."
"I'm Blue."
"Sweetheart, if I had your dubious taste in men, I wouldn't be too happy, either."
"My name is Blue. Blue Bailey.”

Susan Elizabeth Phillips (1948) American writer

Source: Natural Born Charmer

“At first I intended to carry on working in Saint-Prex [in Switzerland, circa 1914 – 1915] in the same way I had been working in Munich [the location of his Blaue Reiter / Blue Rider period]. But something inside me prevented me from painting colourful, sensuous pictures. Suffering had changed my soul, telling me to find other forms and colours to express what was on my mind.”

Alexej von Jawlensky (1864–1941) Russian painter

from: 'Köpfe, Gesichte, Meditationen', Clemens Weiler
Source: 1936 - 1941, Life Memories' (1938), p. 149

“I wish I were driving a blue 1952 Buick
or a dark blue 1942 Buick
or a blue 1932 Buick
over a cliff of hell and into the
sea.”

Charles Bukowski book Love Is a Dog from Hell

Source: Love Is a Dog from Hell

“While yonder, wild and blue,
the wild blue yonder looms.
'Till we are wracked with rheum,
by roads, by songs entombed.”

Joanna Newsom (1982) American musician

Swansea
The Milk-Eyed Mender (2004)

“I had left the visible, physical blue at the door, outside, in the street. The real blue was inside, the blue of the profundity of space, the blue of my kingdom, of our kingdom!... the immaterialisation of blue, the coloured space that can not be seen but which we impregnate ourselves with... A space of blue sensibility within the frame of the white walls of the gallery.”

Yves Klein (1928–1962) French artist

In 1958; p. 41
before 1960, "Yves Klein, 1928 – 1962, Selected Writings"

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