“That's the way beauty is found, by accident [referring to the Glass house he lived in, with the family]. You don't recognize it when you are looking for it, and you won't find it by looking in a magazine. It's right here in the moon, the stars, the horizon, the snow formations... In this house we can see all those things. But what I miss are the songs in the fields. No one sings them any more because everyone has become a little businessman. And there are no more plows. I love a plow more than anything else on a farm.”

Source: Eurydice

That's how you can tell a house Negro.
Malcolm X Speaks (1965)

Source: The Chronicles of Prydain (1964–1968), Book II: The Black Cauldron (1965), Chapter 3
Context: "I have marched in many a battle host," Adaon answered quietly, "but I have also planted seeds and reaped the harvest with my own hands. And I have learned there is greater honor in a field well plowed than in a field steeped in blood."

translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) ..hoe langer ik hier nl:Laren (Noord-Holland) ben, hoe mooijer het voor mij wordt en nu ik een beetje meer op mijn gemak kom, kan ik er beter over oordelen.. .'t Is aandoenlijk mooi hier, van een fijnheid van lijnen en lieflijke poëzie straalt alles uit, binnenhuizen, wegen, akkers, prachtige heide en boschjes en de menschen is van het liefste soort dat te bedenken is.. .Wij maken doorgaans na den eten een loopje en wat ik geniet. Ik kan het niet zeggen maar ik zou hier altijd willen wonen.
Quote of Mauve in a letter, Juin 1882 to his wife Jet Carbentus; Mauve Archive of RKD, Den Haag
1880's

Source: Mary Poppins (1934), Ch. 1 "East-Wind"
Context: If you want to find Cherry-Tree Lane all you have to do is ask the Policeman at the cross-roads. He will push his helmet slightly to one side, scratch his head thoughtfully, and then he will point his huge white-gloved finger and say: "First to your right, second to your left, sharp right again, and you're there. Good-morning."
And sure enough, if you follow his directions exactly, you will be there — right in the middle of Cherry-Tree Lane, where the houses run down one side and the Park runs down the other and the cherry-trees go dancing right down the middle.
If you are looking for Number Seventeen — and it is more than likely that you will be, for this book is all about that particular house — you will very soon find it.

Often referred to as Anderson's Law.
Cited in:
Project Management: A Systems Approach to Planning, Scheduling, and Controlling by Harold Kerzner. Google Books http://books.google.com/books?id=4CqvpWwMLVEC&pg=PA246. Accessed September 5, 2009.
Checkland, P.B. (1985). Formulating problems in Systems Analysis. In: Miser, H. J. and Quade E. S. (eds.) (1985). Handbook of Systems Analysis: Overview of Uses, Procedures, Applications, and Practice. Chapter 5, pp. 151-170. North-Holland, New York.
Attributed

Book I, Chapter 5, "We Have Cause to Be Uneasy"
Mere Christianity (1952)
Context: We have two bits of evidence about the Somebody. One is the universe He has made. If we used that as our only clue, I think we should have to conclude that He was a great artist (for the universe is a very beautiful place), but also that He is quite merciless and no friend to man (for the universe is a very dangerous and terrifying place.)... The other bit of evidence is that Moral Law which He has put in our minds. And this is a better bit of evidence than the other, because it is inside information. You find out more about God from the Moral Law than from the universe in general just as you find out more about a man by listening to his conversation than by looking at a house he has built.

The Color Purple (1982)