“His Excellency Don José Palafox [famous Spanish general, who recaptured Zaragoza from the French army) called me to go to Zaragoza this week in order to see and examine the ruins of that city, with the intention that I should paint the glories of its inhabitants, something from which I cannot be excused because the glory of my native land [Goya was born in Zaragoza] interests me so much.”

— Francisco De Goya

letter c. 1809, to the Secretary of the Academy of San Fernando in Madrid; as quoted by Robert Hughes, in: Goya. Borzoi Book - Alfred Knopf, New York, 2003; p. 282 & note 13
Goya gave in this way his excuse he gave the Secretary of the Academy of San Fernando in Madrid, explaining why he could not be at the inauguration of the portrait, Goya had made of king Ferdinand VII, recently
1800s

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Francisco De Goya 40

Spanish painter and printmaker (1746–1828) 1746–1828

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“[the painting 'Yard with Lunatics' shows].. a yard with lunatics, and two of them fighting completely naked while their warder beats them, and others in sacks; (it is a scene I witnessed at first hand in Zaragoza).”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to his friend Bernardo de Iriarte, 7 Jan, 1794; as quoted by Jane Kromm, in The art of frenzy, 2002, p. 194 https://en.wikipedia.org/wiki/Yard_with_Lunatics
The painting 'Yard with Lunatics' (Spanish: Corral de locos) is a small oil-on-tinplate painting completed by Goya between 1793 and 1794; Goya says here that the painting was informed by scenes of institutions he witnessed in his youth in Zaragoza
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“The Greeks never thought to unite all Greek speakers in one political union. Because each Greek gloried in his singular excellence—and each Greek clan gloried similarly—it was hard enough to unite a city. Each city or polis—from which come our words politics, politician, metropolis—thought itself unrivaled in some essential quality and reveled in its reputation.”

Thomas Cahill (1940) American scholar and writer

Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch.IV The Politician and the Playwright: How to Rule

“Hail, Sphinx: salutation from Julius Caesar! I have wandered in many lands, seeking the lost regions from which my birth into this world exiled me, and the company of creatures such as I myself. I have found flocks and pastures, men and cities, but no other Caesar, no air native to me, no man kindred to me, none who can do my day's deed, and think my night's thought.”

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Act I
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“Nobody knew my rose of the world but me… I had too much glory. They don't want glory like that in nobody's heart”

Tennessee Williams (1911–1983) American playwright

“Your Excellency, I am in receipt of His Majesty's royal order, which your excellency communicated to me on the 6th inst., accepting the offer of my work, the 'Caprichos' on eighty copper plate engraved with aqua-fortis by my hand, which I will hand to the Royal Calografia with the lot of prints which I had printed by way of precaution, amounting to two hundred and forty copies of eighty prints, in order not to defraud His Majesty in the least, and for my own satisfaction as to my mode of procedure. I am very grateful for the pension of twelve thousand reals which His Majesty has been pleased to grant to my son [Xavier Goya], for which I offer my best thanks to His Majesty, and to your excellency.... I only desire your excellency's orders, and that you may keep well. May God preserve your excellency's valuable life for many years... Your excellency's obedient and grateful servant, Franco de Goya.”

Francisco De Goya (1746–1828) Spanish painter and printmaker (1746–1828)

letter to the Minister, Don Miguel Cayetano Soler, Madrid, October 9, 1803; as quoted in the 'Gazette des Beaux-Arts', 1860, p. 241, and reproduced in facsimile in Mr. Calvert's monograph, p. 88; also by Valerian von Loga: Francisco de Goya, Berlin, 1903, p. 77
1800s

“All the glories of the sunset,
In the sunrise one may see;
That which others call the dawning
Is the night for you and me.”

Sarah Morgan Bryan Piatt (1836–1919) American writer

To-day, Stanza 3.

“The difference between ethics and morality is quite essential. What is beneficial for one people is the ethics. Morality is the matter of intention, when I say I believe something is good and I will do it because my motivation is right. The fact that in the end it will be a disaster, is not my fault, I did it for good reasons. I despise that. I think that it is the excuse of the weaker. I am not interested in intentions. I am interested in consequences. Any one can have good intentions, which I believe is the matter of decency. I do not discuss others’ intentions. I assume that anyone has good intentions. But it is so trivial, that I am not interested in it. I am interested in what comes next. If I will not benefit from the outcome, I am not interested in good intentions.”

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From Zoran Djindjic's speech held to students of Banja Luka University, 20.02.2003.

“; The glory of saving a country is not for him who has contributed to its ruin.”

José Rizal book El Filibusterismo

El Filibusterismo

“I see you're trying to distract me from the real point here," Magnus said instead. "You had a birthday - a perfect excuse for me to throw one of my famous parties - and you didn't even tell me about it?”

Cassandra Clare (1973) American author

Source: Saving Raphael Santiago

“I should be acting the part of an ungrateful servant, unworthy of the favours which unite my duty to your great kindness, if I were not to say that his Majesty [ Charles V ] forced me to go to him and pays the expenses of my journey, I start discontented because I have not fulfilled your wish and my obligation in presenting myself to my Lord [ Pope Paul III ] and yours, and working in obedience to his intentions [to paint the Pope's portrait].... But I promise as a true servant to pay interest on my return with a new picture in addition to the first.... So with your license, Padron mio unico, I shall go, whither I am called, and returning with the grace of God, I shall serve you with all the strength of the talents which I got from my cradle..”

Titian (1488–1576) Italian painter

In a letter to Cardinal Farnese in Rome, from Venice 24th December 1547; after the original in Rochini's 'Belazione' u.s. pp. 9-10; as quoted in Titian: his life and times - With some account of his family... Vol. 2., J. A. Crowe & G.B. Cavalcaselle, Publisher London, John Murray, 1877, pp. 164-165
Titian had to chose between Pope & Emperor when they were on the worst of terms; he decided to obey the Emperor Charles V who ordered Titian to come to his court at Augsburg, Germany
1541-1576

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Francisco De Goya 40

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