“God's transcending nature must be understood as oneness and simplicity,
unscalable height and unfathomable depth,
incomprehensible breadth and infinite length,
dark silence and ferocious energy.”
The Sparkling Gem, complete works, vol. 3, pp. 6-7
Help us to complete the source, original and additional information
John Ruysbroeck 90
Flemish mystic 1293–1381Related quotes

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 211.

“I love thee to the depth and breadth and height my soul can reach.”
No. LXIII
Sonnets from the Portuguese (1850)
Variant: How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach
Context: How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
Context: How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday's
Most quiet need, by sun and candlelight.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints,—I love thee with the breath,
Smiles, tears, of all my life! —and, if God choose,
I shall but love thee better after death.
As quoted in The Reader's Digest (1992) Vol. 140, p. 194

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 3

Quote from Schopferische Konfession (Creative credo) of 1918; first published in 'Tribune der Kunst und Zeit', no. 13 (1920): 66; for an English translation, see Victor H. Miesel, ed. Voices of German Expressionism, (Englewood Cliffs, N.J.: Prentice Hall, 1970); as quoted in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 101
1900s - 1920s
“The silence in the room had width, height, depth, mass and substance.”
Source: Betsy in Spite of Herself