“You have got to be able to picture side by side everything Matisse and I were doing at that time. No one has ever looked at Matisse's painting more carefully than I; and no one has looked at mine more carefully than he.”

— Pablo Picasso

Quote by old Picasso (1960's); as quoted in 'Matisse & Picasso', Paul Trachtman, Smithsonian Magazine, February 2003, p 1
1960s

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Pablo Picasso128

Spanish painter, sculptor, printmaker, ceramicist, and stag… 1881–1973

William Baziotes (1912–1963) American painter

Source: 1950s, Artists' Session at Studio 35, (1950), p. 216

“Why did the Lord Master take one look at you and leave? What are you, Barrons?”

“The one who will never let you die, and that’s more, Ms. Lane, than anyone in your life has ever been able to say to you. More than anyone else can do.”

Karen Marie Moning (1964) author

“.. you see they hung my painting here [on her show 'Wind', 2009] I did that in the early 1990s. People never really liked them so much back then, they thought they looked more like photographs. Actually, I was doing them when I was still married to Gerhard Richter [till 1993], and it was somehow in relation to what he was doing, you know, these kind of side-to-side gestural abstracts – done like this [gestures as if pulling a squeegee over a surface from one side to the other] like paintings of the 1950s. Mine were called 'Basic Research', they were rubbings of oil paint on canvas – frottages of the floor of my studio. I did quite a few of these. [Gerhard] Richter put one up in his studio for some time... But he found it too hard and then took it out after a while.”

Isa Genzken (1948) German sculptor

2001 - 2010, Out to Lunch with Isa Genzken' (2009)

“You see a skeleton in a lab, and they need wires to hold the spine in place. Well, in your body the wires are muscles. When there is a loosening on one side, your pelvis tilts. A spasm occurs when this tilt results in one side of the body supporting more weight than the other. Look at a telephone pole. If the supporting wire on one side is slack and loose, then the wire on the other side becomes tense and tight. In the case of the body, this is the muscle. And it will give you pain. If a man weighs 180 pounds and one side of him supports 90 and the other side 90, he is able to function. If one side supports 110 and the other supports only 70, a problem arises. For one thing, your leg on one side is shorter than the leg on the other.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As quoted in "Dr. Clemente, I Presume" https://news.google.com/newspapers?id=fL1HAAAAIBAJ&sjid=ZoAMAAAAIBAJ&pg=6750%2C4033368 by Jim Murray, in The Los Angeles Times (March 24, 1972), p. E1 <br class="br">Other, <big><big>1970s</big></big>, <big>1972</big>

“A study of attorneys found that the attorneys whose pictures were judged independently to be the better-looking ones were able to earn about 12% more per year than the less good-looking ones. The better-looking attorneys worked longer hours, but even when that and dozens of other variables were controlled for, the better-looking attorneys were able to bill significantly more per hour. Needless to say, the male attorneys were ranked as much less attractive than the women, increasing the gap in women’s pay over men’s. The bigger the gap in looks, the bigger was the gap in pay. The more time passed, the more the gap widened. Sometimes life isn’t fair.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Earn More (2005), p. 199-200.

“Earth, seen from space, looked as it had looked in color-stereo pictures, but he found that the real thing is as vastly more satisfying as a hamburger is better than a picture of one.”

Robert A. Heinlein (1907–1988) American science fiction author

A Tenderfoot in Space (p. 689)
Short fiction, Off the Main Sequence (2005)

“Look,' he said, 'I don't think we should continue this discussion. I don't like this side of you.' 'I'm not a box,' she said 'I don't have sides. This is it. One side fits all. This is it.”

Carrie Fisher book Postcards from the Edge

Source: Postcards from the Edge

“There is nothing more difficult for a truly creative painter than to paint a rose, because before he can do so he has first to forget all the roses that were ever painted.”

Henri Matisse (1869–1954) French artist

As quoted in obituaries (5 November 1954)
1950s

“A lot of times people look at the negative side of what they feel they can't do. I always look on the positive side of what I can do.”

Chuck Norris (1940) American martial artist and actor

“Age may have one side, but assuredly Youth has the other. There is nothing more certain than that both are right, except perhaps that both are wrong.”

Robert Louis Stevenson (1850–1894) Scottish novelist, poet, essayist, and travel writer

Crabbed Age and Youth.
Virginibus Puerisque and Other Papers (1881)
Context: Age may have one side, but assuredly Youth has the other. There is nothing more certain than that both are right, except perhaps that both are wrong. Let them agree to differ; for who knows but what agreeing to differ may not be a form of agreement rather than a form of difference?

“You have got to be able to picture side by side everything Matisse and I were doing at that time. No one has ever looked at Matisse's painting more carefully than I; and no one has looked at mine more carefully than he.”

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Pablo Picasso128

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