Time and Individuality (1940)
“The principle behind the cinema, like that behind all the arts, rests on a choice. It is, in Camus' words, "the revolt of the artist against the real."
If one holds to this principle, what difference can it make by what means reality is revealed? Whether the author of a film seizes on the real in a novel, in a newspaper story or in his own imagination, what counts is the way he isolates it, stylizes it, makes it his own.”
Cahiers du Cinema (1960)
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Michelangelo Antonioni 39
Italian film director and screenwriter 1912–2007Related quotes
“What can be said, lacks reality. Only what fails to make its way into words exists and counts.”
Drawn and Quartered (1983)
Source: Art As a Social System (2000), p. 145.
Internet Encyclopedia of Philosophy
Introduction
The Wedge (1944)
Context: When a man makes a poem, makes it, mind you, he takes words as he finds them interrelated about him and composes them — without distortion which would mar their exact significances — into an intense expression of his perceptions and ardors that they may constitute a revelation in the speech that he uses. It isn’t what he says that counts as a work of art, it’s what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity.
Attributed to Rodin in: Southwestern Art Vol. 6 (1977). p. 20; Partly cited in: A Toolbox for Humanity: More Than 9000 Years of Thought (2004) by Lloyd Albert Johnson, p. 7
1930s and later
Source: Leviathan Wakes (2011), Chapter 48 (p. 488)