“.. reality reveals itself by substantial, palpable forms, accumulated or dispersed in empty space.... these forms are part of that space and.... the space between them appears as form, a fact which evidences the unity of form and space.”

— Piet Mondrian

Source: 1940's, A New Realism', 1943-1945, p. 18

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Piet Mondrian 95

Peintre Néerlandais 1872–1944

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Alan Moore (1953) English writer primarily known for his work in comic books

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“Thirty spokes unite at the single hub;
It is the empty space which makes the wheel useful.
Mold clay to form a bowl;
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Cut out windows and doors;
It is the empty space which makes the room useful.”

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“The new architecture considers not only space, but also time to be an architectural value. The unity of space and time will give architecture a new form of appearance, which is more complete. This is what is meant by 'active space'.... the dissimilar space-cells develop eccentrically from the center to the borders of the cube, thereby granting a new plastic quality to the dimensions of height, width, depth, and time.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

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“Space expands or contracts in the tensions and functions through which it exists. Space is not a static, inert thing. Space is alive; space is dynamic; space is imbued with movement expressed by forces and counterforces; space vibrates and resounds with color, light and form in the rhythm of life.”

Hans Hofmann (1880–1966) American artist

'Excerpts from the Teaching of Hans Hofmann', p. 66
Search for the Real and Other Essays (1948)

“.. adding Space perception to the perception of Masses, emphasizing it and forming it, we enrich the expression of Mass.... through the contrast between them whereby Mass retains its solidity and Space its extension.”

Naum Gabo (1890–1977) Russian sculptor

Quoted in: 'Naum Gabo, Construction: Stone with a Collar', by Jacky Klein, Aug. 2002; Tate, London http://www.tate.org.uk/art/artworks/gabo-construction-stone-with-a-collar-t06975
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“Cubism ('multi-locationalism') is one of the painterly forms of acoustic space.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 55

“The spectacle of the sky overwhelms me. I'm overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge empty spaces. Empty spaces, empty horizons, empty plains - everything which is bare has always greatly impressed me.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

from: English Wikipedia, Joan Miró, 1958, as quoted in Twentieth-Century Artists on Art, ed. Dore Ashton, 1986
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“It is a question of going beyond the description of mechanisms of interaction between locations and activities, in order to discover the structural laws of the production and functioning of the spatial forms studied… There is no specific theory of space, but quite simply a deployment and specification of the theory of social structure, in order to account for the characteristics of the particular social form, space and its articulation with other historically given, form and processes.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: The Urban Question: A Marxist Approach, 1977, p. 124 as quoted in: Phil Hubbard, Rob Kitchin (2010) Key Thinkers on Space and Place. p. 101

“At the most elemental level, reality evanesces into something called Schröedinger's Wave Function: a mathematical abstraction which is best represented as a pattern in an infinite-dimensional space, Hilbert Space. Each point of the Hilbert Space represents a possible state of affairs. The wave function for some one physical or mental system takes the form of, let us say, a coloring in of Hilbert Space. The brightly colored parts represent likely states for the system, the dim parts represent less probable states of affairs.”

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Source: The Sex Sphere (1983), p. 133-134

“I started to introduce letters into my pictures [his first collage art]. These were forms which could not be deformed, because, being two-dimensional, they existed outside three-dimensional space; their inclusion in a picture allowed a distinction to be made between objects which were situated in space and those which belonged outside space”

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the letters
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“.. reality reveals itself by substantial, palpable forms, accumulated or dispersed in empty space.... these forms are part of that space and.... the space between them appears as form, a fact which evidences the unity of form and space.”

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Piet Mondrian 95

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