“The more immobile Egyptian statues are, the more it seems as if they would move.... immobility of the body does not mean immobility of the flesh; in my model for the monument to Cézanne the whole figure is quiet, but there are several movements in the torso.”

— Aristide Maillol

Source: Conversations with Judith Cladel (1939–1944), pp. 407 – 408

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Aristide Maillol 18

sculptor from France 1861–1944

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“The man did not move because only immobility could hurt more than motion: the man held himself still because to move might lessen his suffering, and that he could not bear. For him only pain had meaning.”

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“To choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation.”

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Variant: To choose doubt as a philosophy of life is akin to choosing immobility as a means of transportation.
Source: Life of Pi (2001), Chapter 7, p. 31

“The task of the educator of young children lies in seeing that the child does not confound good with immobility, and evil with activity.”

Maria Montessori (1870–1952) Italian pedagogue, philosopher and physician

Attributed in The Encarta Book of Quotations (2000), edited by Bill Swainson, p. 662

“Dada is not at all modern. It is more in the nature of a return to an almost Buddhist religion of indifference. Dada covers things with an artificial gentleness, a snow of butterflies released from the head of a prestidigitator. Dada is immobility and does not comprehend the passions.”

Tristan Tzara (1896–1963) Romanian and French avant-garde poet, essayist and performance artist

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“Everything moves continuously. Immobility does not exist. Don't be subject to the influence of out-of-date concepts. Forget hours, seconds and minutes. Accept instability. Live in Time. Be static - with movement. For a static of the present movement. Resist the anxious wish to fix the instantaneous, to kill that which is living.
Stop insisting on 'values' which can only break down. Be free, live. Stop painting time. Stop evoking movements and gestures. You are movement and gesture. Stop building cathedrals and pyramids which are doomed to fall into ruin. Live in the present, live once more in Time and by Time - for a wonderful and absolute reality”

Jean Tinguely (1925–1991) Swiss painter and sculptor

Original text in German:
Es bewegt sich alles, Stillstand gibt es nicht. Lasst Euch nicht von überlebten Zeitbegriffen beherrschen. Fort mit den Stunden, Sekunden und Minuten. Hört auf, der Veränderlichkeit zu widerstehen. SEID IN DER ZEIT – SEID STATISCH, SEID STATISCH – MIT DER BEWEGUNG. Fur Statik. Im Jetzt stattfindenden JETZT... Lasst es sein, Kathedralen und Pyramiden zu bauen, die zerbröckeln wie Zuckerwerk. Atmet tief, lebt Jetzt, lebt auf und in der Zeit. Für eine schöne und absolute Wirklichkeit!
In For Statics (original title: Für Statik), 1958 programmatic text for the 'Concert for Seven Pictures' in Düsseldorf: as quoted in: Arts/Canada. Vol. 25. (1968) p. 4.
Quotes, 1950's

“The immobility that the artist creates is not at all that of the photograph. A worth of art contains latent life, possibility of movement; a grimace made eternal does not represent life. One always talks of w:Donatello, but never of della Quercia. Yet della Qercia invented w:Michelangelo’s style before Michelangelo.”

Aristide Maillol (1861–1944) sculptor from France

Source: Conversations with Judith Cladel (1939–1944), p. 408

“As the body is clad in the cloth, and the flesh in the skin, and the bones in the flesh, and the heart in the whole, so are we, soul and body, clad in the Goodness of God, and enclosed. Yea, and more homely: for all these may waste and wear away, but the Goodness of God is ever whole; and more near to us, without any likeness;”

Julian of Norwich (1342–1416) English theologian and anchoress

The First Revelation, Chapter 6
Context: As the body is clad in the cloth, and the flesh in the skin, and the bones in the flesh, and the heart in the whole, so are we, soul and body, clad in the Goodness of God, and enclosed. Yea, and more homely: for all these may waste and wear away, but the Goodness of God is ever whole; and more near to us, without any likeness; for truly our Lover desireth that our soul cleave to Him with all its might, and that we be evermore cleaving to His Goodness. For of all things that heart may think, this pleaseth most God, and soonest speedeth.

“It is a thorny undertaking, and more so than it seems, to follow a movement so wandering as that of our mind, to penetrate the opaque depths of its innermost folds, to pick out and immobilize the innumerable flutterings that agitate it.”

Michel De Montaigne book Essays

C'est une épineuse entreprise, et plus qu'il ne semble, de suivre une allure si vagabonde que celle de nôtre esprit; de pénétrer les profondeurs opaques de ses replis internes; de choisir et arrêter tant de menus de ses agitations.
Book II, Ch. 6
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“So-called immobile objects exist only in movement. Immobile, certain, and permanent things, ideas, works and beliefs change, transform, and disintegrate. Immobile objects are snapshots of a movement whose existence we refuse to accept, because we ourselves are only an instant in the great movement. Movement is the only static, final, permanent, and certain thing. Static means transformation. Let us be static together with movement. Move statically! Be static! Be movement! Believe in movement's static quality. Believe in change. Do not hold onto anything. Change! Do not pinpoint anything! Everything about us is movement. Everything around us is change. Believe in movement's static quality. Be static.”

Jean Tinguely (1925–1991) Swiss painter and sculptor

reprinted in 'Zero', ed. Otto Piene and Heinz Mack, Cambridge, Mass; MIT Press 1973, p. 119
Quotes, 1960's, untitled statements in 'Zero 3', (1961)

“The migratory movement is at once perpetual, partial and universal. It never ceases, it affects every people … [and although] at a given moment it sets in motion only a small number of each population … in fact there is never a moment of immobility for any people, because no migration remains isolated.”

Eugene M. Kulischer (1881–1956) American sociologist

Source: Europe on the Move: War and Population Changes, 1917-1947, 1948, p. 9 as cited in: Sarah Collinson (1999) Globalisation and the dynamics of international migration implications for the refugee regime http://www.unhcr.org/refworld/pdfid/4ff59b852.pdf. May 1999. p. 1

“The more immobile Egyptian statues are, the more it seems as if they would move.... immobility of the body does not mean immobility of the flesh; in my model for the monument to Cézanne the whole figure is quiet, but there are several movements in the torso.”

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Aristide Maillol 18

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