“One [nymph], the naiad of the spring, was just emerging from the limpid water as Hylas drew near. And there, with the full moon shining on him from a clear sky, she saw him in all his radiant beauty and alluring grace. Her heart was flooded by desire; she had a struggle to regain her scattered wits. But Hylas now leant over to one side to dip his ewer in; and as soon as the water was gurgling loudly round the ringing bronze she threw her left arm round his neck in her eagerness to kiss his gentle lips. Then with her right hand she drew his elbow down and plunged him in midstream.”
Source: Argonautica (3rd century BC), Book I. Preparation and Departure, Line 1228–1239
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Apollonius of Rhodes34
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“Even as the light that shifts and plays upon a lake, when Cynthia looks forth from heaven or the bright wheel of Phoebus in mid course passes by, so doth he shed a gleam upon the waters; he heeds not the shadow of the Nymph or her hair or the sound of her as she rises to embrace him. Greedily casting her arms about him, as he calls, alack! too late for help and utters the name of his mighty friend, she draws him down; for her strength is aided by his falling weight.”
Stagna vaga sic luce micant ubi Cynthia caelo
prospicit aut medii transit rota candida Phoebi,
tale iubar diffundit aquis: nil umbra comaeque
turbavitque sonus surgentis ad oscula nymphae.
illa avidas iniecta manus heu sera cientem
auxilia et magni referentem nomen amici
detrahit, adiutae prono nam pondere vires.
Gaius Valerius Flaccus book Argonautica
Source: Argonautica, Book III, Lines 558–564