“Every one of those unfortunates during the process of existence should constantly sense and be cognizant of the inevitability of his own death as well as of the death of everyone upon whom his eyes or attention rests. Only such a sensation and such a cognizance can now destroy the egoism completely crystallized in them that has swallowed up the whole of their Essence, and also that tendency to hate others which flows from it.”

— G. I. Gurdjieff

All and Everything: Beelzebub's Tales to His Grandson (1950)

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G. I. Gurdjieff 62

influential spiritual teacher, Armenian philosopher, compos… 1866–1949

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“The sole means now for the saving of the beings of the planet Earth would be to implant again into their presences a new organ … of such properties that every one of these unfortunates during the process of existence should constantly sense and be cognizant of the inevitability of his own death as well as the death of everyone upon whom his eyes or attention rests. Only such a sensation and such a cognizance can now destroy the egoism completely crystallized in them.”

G. I. Gurdjieff (1866–1949) influential spiritual teacher, Armenian philosopher, composer and writer

All and Everything: Beelzebub's Tales to His Grandson (1950)

“The essence of one's work is only to come to the sensation of the existence of the Creator, to feel the existence of the Creator, that “the whole earth is full of His glory.””

Yehuda Ashlag (1886–1954) Orthodox Jewish Rabbi and Kabbalist

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“Every other art,—as poetry, music, painting,—may be practised without the process showing forth the rules according to which it is conducted;—but in the self-cognizant art of the philosopher, no step can be taken without declaring the grounds upon which it proceeds.”

Johann Gottlieb Fichte (1762–1814) German philosopher

Source: The Characteristics of the Present Age (1806), p. 14

“God is a flowing well which constantly may pour
Into his whole Creation, and yet be as before.”

Angelus Silesius (1624–1677) German writer

The Cherubinic Wanderer

“It is not good for a man to be too cognizant of his physical and spiritual mechanisms. Complete knowledge reveals limits to human possibilities, and the less a man is by nature limited in his purposes, the less he can tolerate limits.”

Stanisław Lem book Fiasco

Fiasco (1986), Ch. 3, tr. Michael Kandel (1987)

“From the beginning of the year to the end, day and night, morning and evening, in action and repose, in speech and in silence, the warrior must keep death constantly before him and have ever in mind that the one death [which he has to give] should not be suffered in vain. In other words [he must have perfect control over his own death] just as if he were holding an intemperate steed in rein. Only he who truly keeps death in mind this way can understand what is meant by [Yamaga Soko's maxim of] "preparedness."”

Yoshida Shoin (1830–1859) Japanese politician

Vol. IV.
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“We would no doubt end up understanding quicker that the anarchists are right when they say that in order to have moral and physical tranquillity, we must destroy the causes that create crimes and criminals : it is not by suppressing he who, rather than die a slow death by the deprivations that he has had to and will have to undergo, with no hope of seeing them end, prefers, if he has a bit of energy, take by force that which can assure him well-being, even at the risk of his own death which can only be an end to his sufferings.”

Ravachol (1859–1892) French anarchist

On finira sans doute plus vite par comprendre que les anarchistes ont raison lorsqu'ils disent que pour avoir la tranquillité morale et physique, il faut détruire les causes qui engendrent les crimes et les criminels : ce n'est pas en supprimant celui qui, plutôt que de mourir d'une mort lente par suite de privation qu'il a eues et aurait à supporter, sans espoir de les voir finir, préfère, s'il a un peu d'énergie, prendre violemment ce qui peut lui assurer le bien-être, même au risque de sa mort qui ne peut être qu'un terme à ses souffrances.
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“Man is the only animal for whom his own existence is a problem which he has to solve and from which he cannot escape.”

Erich Fromm (1900–1980) German social psychologist and psychoanalyst

Source: Man for Himself (1947), Ch. 3 "Human Nature and Character

“Negrophobes exist. It is not hatred of the Negro, however, that motivates them; they lack the courage for that, or they have lost it. Hate is not inborn; it has to be constantly cultivated, to be brought into being, in conflict with more or less recognized guilt complexes. Hate demands existence and he who hates has to show his hate in appropriate actions and behavior; in a sense, he has to become hate. That is why Americans have substituted discrimination for lynching. Each to his own side of the street.”

Frantz Fanon book Black Skin, White Masks

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“Painting is the most beautiful of all arts. In it, all sensations are condensed, at its aspect everyone may create romance at the will of his imagination, and at a glance have his soul invaded by the most profound memories, no efforts of memory, everything summed up in one moment. Complete art which sums up all the others and completes them. Like music, it acts on the soul through the intermediary of the senses, the harmonious tones corresponding to the harmonies of sounds, but in painting, a unity is obtained which is not possible in music, where the accords follow one another, and the judgement experiences a continuous fatigue if one wants to reunite the end and the beginning. In the main, the ear is an inferior sense to the eye. The hearing can only grasp a single sound at one time, whereas the sight takes in everything and at the same time simplifies at its will.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s

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G. I. Gurdjieff 62

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