“The concern of the artist is with the discrepancy between physical fact and psychological effect.”

— Josef Albers

Quote from: 'Albers Paints a Picture' Elaine de Kooning, Art News 49, November 1950, p. 40; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 67

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Josef Albers33

German-American artist and educator 1888–1976

Josef Albers (1888–1976) German-American artist and educator

'The Origin of Art'
Homage to the square' (1964)

“How can I tell," said the man, "that the past isn't a fiction designed to account for the discrepancy between my immediate physical sensations and my state of mind?”

Douglas Adams book The Restaurant at the End of the Universe

The Salmon of Doubt (2002)
Source: Douglas Adams, The Restaurant at the End of the Universe (Hitchhiker's Guide to the Galaxy, #2)

“Between memory and reality there are awkward discrepancies…”

Eileen Chang (1920–1995) Chinese writer and screenwriter

2. "Writing of One's Own" (pp. 17–18)
Liuyan [《流言》] (1968)
Context: In this era, the old things are being swept away and the new things are still being born. But until this historical era reaches its culmination, all certainty will remain an exception. People sense that everything about their everyday lives is a little out of order, out of order to a terrifying degree. All of us must live within a certain historical era, but this era sinks away from us like a shadow, and we feel we have been abandoned. In order to confirm our own existence, we need to take hold of something real, of something most fundamental, and to that end we seek the help of an ancient memory, the memory of a humanity that has lived through every era, a memory clearer and closer to our hearts than anything we might see gazing far into the future. And this gives rise to a strange apprehension about the reality surrounding us. We begin to suspect that this is an absurd and antiquated world, dark and bright at the same time. Between memory and reality there are awkward discrepancies, producing a solemn but subtle agitation, an intense but as yet indefinable struggle.

“Discrepancy between theory and practice, which in sound physical and mechanical science is a delusion, has a real existence in the minds of men; and that fallacy, through rejected by their judgments, continues to exert and influence over their acts.”

William John Macquorn Rankine (1820–1872) civil engineer

"Introductory Lecture on the Harmony of Theory and Practice in Mechanics" (1856), p. 4

“The DM halo hypothesis is evidently an attempt to resolve the acceleration discrepancy within orthodox gravitation theory. But in coming to terms with this discrepancy, suspicion fell on Newtonian gravity already early in the game. Zwicky, who had exposed the acceleration discrepancy in clusters of galaxies …, opined much later that the discrepancy may reflect a failure of conventional physics …”

Jacob Bekenstein (1947–2015) Mexican-Israeli physicist

[The modified Newtonian dynamics—MOND and its implications for new physics, arXiv preprint astro-ph/0701848, 27 March 2007, https://arxiv.org/abs/astro-ph/0701848] (p. 2)

“What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one…”

Federico Fellini (1920–1993) Italian filmmaker

"Every Time We Say Goodbye" in Sight and Sound [London] ( June 1991)
Context: What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one... It’s this in-between that I’m calling a province, this frontier country between the tangible world and the intangible one — which is really the realm of the artist.

“The invasion of psychology by cybernetics is making us realize that the ordinary concepts of psychology must be reformulated in the language of physics if a physical explanation of the ordinary psychological phenomena is to become possible. Some psychological concepts can be re-formulated more or less easily, but others are much more difﬁcult, and the investigator must have a deep insight if the physical reality behind the psychological phenomena is to be perceived”

W. Ross Ashby (1903–1972) British psychiatrist

W. Ross Ashby, "Review of Analytical Biology, by G. Sommerhoff." In: Journal of Mental Science Vol 98 (1952), p. 88; As cited in Peter M. Asaro (2008)

“Most effects in psychology are relatively unimportant. That is, most variables, considered in isolation, have relatively little impact on behavior. This doesn't mean… that we should all abandon psychology and become plumbers instead. The small magnitude of most effects in psychology is itself a discovery of psychology. One might argue, in fact, that it is one of the great metadiscoveries of the field. Most variables have little impact, and thus most of the phenomena studied by psychologists are products of a multiplicity of variables.”

Steve Stewart-Williams (1971)

Source: The Ape that Kicked the Hornet's Nest (2013), p. 251

“When there is a discrepancy between an individual's actual social identity and his virtual one, it is possible for this fact to be known to us before we normals contact him, or to be quite evident when he presents himself before us.”

Erving Goffman book Stigma

Source: 1950s-1960s, Stigma, 1963, p. 56

“The fact of the existence of two theories [causal and acausal] that contradict each other in Jung … corresponds psychologically to the vascillation between 3 and 4.”

Wolfgang Pauli (1900–1958) Austrian physicist, Nobel prize winner

Letter To Carl Alfred Meier (1950)

“The concern of the artist is with the discrepancy between physical fact and psychological effect.”

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