“Tarry here for a moment. My words shall be few and simple. The solemn rites of this hour and place call for no lengthened speech. There is, in the very air of this resting-ground of the unknown dead a silent, subtle and all-pervading eloquence, far more touching, impressive, and thrilling than living lips have ever uttered. Into the measureless depths of every loyal soul it is now whispering lessons of all that is precious, priceless, holiest, and most enduring in human existence.”

Source: The Skin Map (2010), p. 59

From, Light on Carmel: An Anthology from the Works of Brother John of Saint Samson, O.Carm.

Volume II, chapter V, section 30.
The Stones of Venice (1853)

Source: Leven Thumps and the Gateway to Foo

The Young May Moon, st. 1. <br class="br"> Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

Source: A Portrait of the Artist as a Young Man

Introduction <br class="br"> Montcalm and Wolfe http://www.gutenberg.org/files/14517/14517-8.txt (1884)

Source: Phantastes

Statement at the .
Context: Despite the fact that as an art, music cannot compromise its principles, and politics, on the other hand, is the art of compromise, when politics transcends the limits of the present existence and ascents to the higher sphere of the possible, it can be joined there by music. Music is the art of the imaginary par excellence, an art free of all limits imposed by words, an art that touches the depth of human existence, and art of sounds that crosses all borders. As such, music can take the feelings and imagination of Israelis and Palestinians to new unimaginable spheres.