“…when objects shattered into fragments appeared in my painting about 1909; this for me was a way of getting closest to the object... Fragmentation helped me to establish space and movement in space.”

Source: posthumous quotes, Braque', (1968), p. 55

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Georges Braque43

French painter and sculptor 1882–1963

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“Tactile space separates us from objects, as opposed to visual space, which separates objects from one another. I have spent my life trying to paint the former kind.”

Georges Braque (1882–1963) French painter and sculptor

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“What particularly attracted me [in his painting 'Still-life with Musical instruments', 1908 – 1909].... was the materialization of this new space that I felt to be in the offing. So I began to concentrate on still-life's, because in the still-life you have a tactile, I might almost say a manual space... This answered to the hankering I have always had to touch things and not merely see them. It was this space that particularly attracted me, for this was the first concern of Cubism, the investigation of space.... In tactile space you measure the distance separating you from the object, whereas in visual space you measure the distance separating things from each other. This is what led me, long ago, from landscape to still-life.”

Georges Braque (1882–1963) French painter and sculptor

Source: posthumous quotes, Braque', (1968), p. 41

“The course of modern history having already sapped the traditions and shattered the living wholes in which precious objects once found their place, the collector may now in good conscience go about excavating the choicer, more emblematic fragments.”

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“Segregation occurs in the primary visual area of the cortex, which gives rise to two parallel pathways. …the "what" pathway, carries information about the form of an object… the "where" pathway, carries information about the movement of the object in space: where the object is located.”

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“Perfect knowledge of the space an object should occupy in a picture, and of the space that separates one object from another, establishes a new astronomy of things attached to our planet by the magic law of gravity. Canons of the Metaphysical aesthetic lie in the minutely-accurate and precisely-estimated use of surfaces and volumes.... We are building in paint a new Metaphysical psychology of things.”

Giorgio de Chirico (1888–1978) Italian artist

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“The old art depicted space as uniform and enclosed. The new art perceives space as organic and open. The old art was an object. The new art is a system. The configuration of the movement is more important than the shape of the object. The message of a kinetic and luminic work is the light and movement it produces. It has no other message. It has no meaning besides movement.”

Willoughby Sharp (1936–2008) American artist

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“I myself have employed the close-up, which is the cinema's only real invention. The fragment of the object has also been of use to me; by isolating it you personalize it. All this work has led me to regard the phenomenon of objectivity as a new and highly contemporary value in itself”

Fernand Léger (1881–1955) French painter

quote of c. 1927
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Quotes of Fernand Leger, 1920's

“…when objects shattered into fragments appeared in my painting about 1909; this for me was a way of getting closest to the object... Fragmentation helped me to establish space and movement in space.”

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Georges Braque43

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