Rampart Institute, p. 432
The Fundamental of Liberty (1988)
“The Outsider’s case against society is very clear. All men and women have these dangerous, unnamable impulses, yet they keep up a pretense, to themselves, to others; their respectability, their philosophy, their religion, are all attempts to gloss over, to make civilized and rational something that is savage, unorganized, irrational. He is an Outsider because he stands for truth.”
Source: The Outsider (1956), Chapter one, The Country of the Blind
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Colin Wilson 192
author 1931–2013Related quotes
" Taslima Nasrin: A Writer On Trial http://atheistfoundation.org.au/article/taslima-nasrin-a-writer-on-trial/", Interview with Kerry O'Brien on "Lateline", ABC TV (1995).
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VII, Sec. 1
Context: For the temples, the sites for those of the gods under whose particular protection the state is thought to rest and for Jupiter, Juno, and Minerva, should be on the very highest point commanding a view of the greater part of the city. Mercury should be in the forum, or, like Isis and Serapis, in the emporium; Apollo and Father Bacchus near the theater; Hercules at the circus in communities which have no gymnasia nor amphitheatres; Mars outside the city but at the training ground, and so Venus, but at the harbor. It is moreover shown by the Etruscan diviners in treatises on their science that the fanes of Venus, Vulcan, and Mars should be situated outside the walls, in order that the young men and married women may not become habituated in the city to the temptations incident to the worship of Venus, and that buildings may be free from the terror of fires through the religious rites and sacrifices which call the power of Vulcan beyond the walls. As for Mars, when that divinity is enshrined outside the walls, the citizens will never take up arms against each other, and he will defend the city from its enemies and save it from danger in war.
Quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 304
posthumous, undated