T.S. Eliot (1888–1965) 20th century English author
Source: Tradition and the Individual Talent: An Essay
Source: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 22
T.S. Eliot (1888–1965) 20th century English author
Source: Tradition and the Individual Talent: An Essay
Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art
The Philosophy of Modern Art: Collected Essays (1971).
Other Quotes
Alexandre Dumas, fils (1824–1895) French writer and dramatist, son of the homonym writer and dramatist
On peut devenir un peintre, un sculpteur, un musicien même à force d'étude; on ne devient pas un auteur dramatique. On l'est tout de suite ou jamais, comme on est blond ou brun, sans le vouloir.
Preface to Le Père Prodigue (1859), in Théatre complet de Al. Dumas fils (Paris: Michel Lévy Frères, 1868-98) vol. 3, p. 199; translation by E. P. Evans from The Atlantic Monthly, May 1890, pp. 584-5.
“It is the poets and painters who react instantly to a new medium like radio or TV.”
Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
Source: 1960s, Understanding Media (1964), p. 53
Barnett Newman (1905–1970) American artist
Source: 1940 - 1950, The Plasmic Image 2. 1943-1945, p. 125
George Peacock (1791–1858) Scottish mathematician
Vol. II: On Symbolical Algebra and its Applications to the Geometry of Position (1845) Ch. XV, p. 59
A Treatise on Algebra (1842)
Rollo May (1909–1994) US psychiatrist
Source: The Courage to Create (1975), Ch. 4 : Creativity and the Encounter, p. 91
Context: Symbol and myth do bring into awareness infantile, archaic dreads and similar primitive psychic content. This is their regressive aspect. But they also bring out new meaning, new forms, and disclose a reality that was literally not present before, a reality that is not merely subjective but has a second pole which is outside ourselves. This is the progressive side of symbol and myth. This aspect points ahead. It is integrative. It is a progressive revealing of structure in our relation to nature and our own existence, as the French philosopher Paul Ricoeur so well states. It is a road to universals beyond discrete personal experience.
Howard Zinn (1922–2010) author and historian
" Artists of Resistance http://books.google.ca/books?id=qMYNNGiHQ0kC&pg=PT52&lpg=PT52#v=onepage&q&f=false", July 2001
Rollo May (1909–1994) US psychiatrist
Source: The Courage to Create (1975), Ch. 4 : Creativity and the Encounter, p. 79
Rollo May (1909–1994) US psychiatrist
Source: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 35
Context: Whatever sphere we may be in, there is a profound joy in the realization that we are helping to form the structure of the new world. This is creative courage, however minor or fortuitous our creations may be. We can then say, with Joyce, Welcome, O life! We go for the millionth time to forge in the smithy of our souls the uncreated conscience of the race.