“Much as I admire Tolkien, and I do admire Tolkien — he’s been a huge influence on me, and his Lord of the Rings is the mountain that leans over every other fantasy written since and shaped all of modern fantasy — there are things about it, the whole concept of the Dark Lord, and good guys battling bad guys, Good versus Evil, while brilliantly handled in Tolkien, in the hands of many Tolkien successors, it has become kind of a cartoon. We don’t need any more Dark Lords, we don’t need any more, ‘Here are the good guys, they’re in white, there are the bad guys, they’re in black. And also, they’re really ugly, the bad guys. It is certainly a genuine, legitimate topic as the core of fantasy, but I think the battle between Good and Evil is waged within the individual human hearts. We all have good in us and we all have evil in us, and we may do a wonderful good act on Tuesday and a horrible, selfish, bad act on Wednesday, and to me, that’s the great human drama of fiction. I believe in gray characters, as I’ve said before. We all have good and evil in us and there are very few pure paragons and there are very few orcs. A villain is a hero of the other side, as someone said once, and I think there’s a great deal of truth to that, and that’s the interesting thing. In the case of war, that kind of situation, so I think some of that is definitely what I’m aiming at.”

— George Raymond Richard Martin

AssignmentX interview (June 2011) http://www.assignmentx.com/2011/interview-game-of-thrones-creator-george-r-r-martin-on-the-future-of-the-franchise-part-2/

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George Raymond Richard Martin 35

American writer, screenwriter and television producer 1948

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“The battle between Good and Evil is a theme of much of fantasy. But I think the battle between Good and Evil is fought largely within the individual human heart, by the decisions that we make. It’s not like evil dresses up in black clothing and you know, they’re really ugly. These are some of the things that Tolkien did; he made them work fabulously, but in the hands of his imitators, they become total clichés. I mean the orc-like creatures who always do dress in black and… they’re really ugly and they’ve got facial deformities or something. You can tell that if somebody’s ugly, he must be evil. And then Tolkien’s heroes are all very attractive people and all that, of course, again this became cliché in the hands of the Tolkien imitators.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

"GRRM Interview Part 2: Fantasy and History", interview with TIME Entertainment http://entertainment.time.com/2011/04/18/grrm-interview-part-2-fantasy-and-history/ (18 April 2011)

“The magic that you hear in tales and things was all based around the Celtic mythology of England, which is Tolkien, The Lord of the Rings.”

Donovan (1946) Scottish singer, songwriter and guitarist

I just drain from that source. I just drain everything. So the magic is there.
Interview in Rolling Stone (9 November 1967)

“The magic that you hear in tales and things was all based around the Celtic mythology of England, which is Tolkien, The Lord of the Rings. I just drain from that source. I just drain everything. So the magic is there.”

Donovan (1946) Scottish singer, songwriter and guitarist

Interview in Rolling Stone (9 November 1967)

“And yet I respect Lewis more than I do Tolkien.”

Philip Pullman (1946) English author

Slate interview, 2015
Context: His (C. S. Lewis's) work is not frivolous in the way that Tolkien is frivolous, though it seems odd to call a novel of great intricacy and enormous popularity frivolous. I just don’t like the conclusions Lewis comes to, after all that analysis, the way he shuts children out from heaven, or whatever it is, on the grounds that the one girl is interested in boys. She’s a teenager! Ah, it’s terrible: Sex — can’t have that. And yet I respect Lewis more than I do Tolkien.

“Chesterton was important — as important to me in his way as C. S. Lewis had been.
You see, while I loved Tolkien and while I wished to have written his book, I had no desire at all to write like him. Tolkien’s words and sentences seemed like natural things, like rock formations or waterfalls, and wanting to write like Tolkien would have been, for me, like wanting to blossom like a cherry tree or climb a tree like a squirrel or rain like a thunderstorm. Chesterton was the complete opposite. I was always aware, reading Chesterton, that there was someone writing this who rejoiced in words, who deployed them on the page as an artist deploys his paints upon his palette. Behind every Chesterton sentence there was someone painting with words, and it seemed to me that at the end of any particularly good sentence or any perfectly-put paradox, you could hear the author, somewhere behind the scenes, giggling with delight.”

Neil Gaiman (1960) English fantasy writer

"Mythcon 35 Guest of Honor Speech", in Mythprint (October 2004) http://www.mythsoc.org.nyud.net:8090/mythcon/35/speech/

“Tolkien’s work has very little of interest in it to a reader of literature, in my opinion. When I think of literature — Dickens, George Eliot, Joseph Conrad — the great novelists found their subject matter in human nature, emotion, in the ways we relate to each other. If that’s what Tolkien’s up to, he’s left out half of it.”

Philip Pullman (1946) English author

Slate interview, 2015 http://www.slate.com/articles/arts/books/2015/11/philip_pullman_interview_the_golden_compass_author_on_young_adult_literature.single.html
Context: They’re often bracketed together, Tolkien and Lewis, which I suppose is fair because they were great friends — both Oxford writers and scholars, both Christians. Tolkien’s work has very little of interest in it to a reader of literature, in my opinion. When I think of literature — Dickens, George Eliot, Joseph Conrad — the great novelists found their subject matter in human nature, emotion, in the ways we relate to each other. If that’s what Tolkien’s up to, he’s left out half of it. The books are wholly male-oriented. The entire question of sexual relationships is omitted.

“What would a racist call werewolves? Wargs? She kind of liked that one, but suspected that racist bastards didn't read Tolkien.”

Patricia Briggs book Fair Game

Source: Fair Game

“The Lord created us in His image and likeness, and we are the image of the Lord, and He does good and all of us have this commandment at heart: do good and do not do evil. All of us.”

Pope Francis (1936) 266th Pope of the Catholic Church

As quoted in "Pope at Mass: Culture of encounter is the foundation of peace" at Vatican Radio (22 May 2013) http://en.radiovaticana.va/news/2013/05/22/pope_at_mass:_culture_of_encounter_is_the_foundation_of_peace/en1-694445
2010s, 2013
Context: The Lord created us in His image and likeness, and we are the image of the Lord, and He does good and all of us have this commandment at heart: do good and do not do evil. All of us. "But, Father, this is not Catholic! He cannot do good." Yes, he can. He must. Not can: must! Because he has this commandment within him. Instead, this "closing off" that imagines that those outside, everyone, cannot do good is a wall that leads to war and also to what some people throughout history have conceived of: killing in the name of God. That we can kill in the name of God. And that, simply, is blasphemy. To say that you can kill in the name of God is blasphemy.

“All that our Lord doeth is rightful, and that which He suffereth is worshipful: and in these two is comprehended good and ill: for all that is good our Lord doeth, and that which is evil our Lord suffereth. I say not that any evil is worshipful, but I say the sufferance of our Lord God is worshipful: whereby His Goodness shall be known, without end, in His marvellous meekness and mildness, by the working of mercy and grace.”

Julian of Norwich (1342–1416) English theologian and anchoress

The Thirteenth Revelation, Chapter 35

“Illustrating Tolkien means treading warily, dipping one's brush in shadow and rinsing them in light. Battle and balance, down the impossible path between the clear and the obscure.”

John Howe (illustrator) (1957) Canadian illustrator

As quoted in Tolkien's World: Paintings of Middle-Earth (1992) published by MJF Books

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George Raymond Richard Martin 35

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