The Notebooks of Leonardo da Vinci (1883), IX The Practice of Painting
“If England is to remain supreme, she must be able to appeal to the coloured against the white, as well to the white against the coloured. It is therefore not merely as a matter of sentiment and of justice, but as a matter of safety, that we ought to try and lay the foundation of some feeling on the part of coloured races towards the crown other than the recollection of defeat and the sensation of subjection.”
Source: Letter to the Viceroy of India Lord Lytton (7 July 1876), quoted in S. Gopal, British Policy in India, 1858-1905 (Cambridge University Press, 1965), p. 115
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Robert Gascoyne-Cecil, 3rd Marquess of Salisbury 112
British politician 1830–1903Related quotes
Letter to George Sylvester Viereck (21 April 1926), quoted in John C. G. Röhl, Wilhelm II: Into the Abyss of War and Exile 1900-1941 (Cambridge: Cambridge University Press, 2014), p. 1237
1920s
Quote in Van Doesburg's article 'Elementarism', as cited in De Stijl – Van Doesburg Issue, January 1932, pp. 17–19
1926 – 1931
Michel Henry, Seeing the invisible: On Kandinsky, Continuum, 2009, p. 71
Books on Culture and Barbarism, Seeing the Invisible: On Kandinsky (1988)
Quote in van Doesburg's his article: 'Space – time and colour', in 'De Stijl', Aubette Issue, series xv, 87-9, 1928, pp. 26–27
1926 – 1931
Quote in Van Doesburg's text 'Towards white painting', Paris, December 1929, in 'Art Concret' April 1930; as quoted in Theo van Doesburg, Joost Baljeu, Studio Vista, London 1974, p. 183
1926 – 1931
Source: Later Quote of Mondrian, about 1910-1914; in 'Mondrian, Essays' ('Plastic art and pure plastic art', 1937 and his other essays, (1941-1943) by Piet Mondrian; Wittenborn-Schultz Inc., New York, 1945, p. 10; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, p. 42
The Great Master of Thought (Amen- Vol.3), Observing management
“The news was highly coloured, even if the print was black and white.”
Source: The Lost Plot (2017), Chapter 9 (p. 118)